रेख़्ता पब्लिकेशंस और राजकमल प्रकाशन के सह-प्रकाशन में प्रकाशित यह किताब एक बच्चे के दृष्टिकोण से इस दुनिया को देखने-दिखाने की कोशिश करती है। पाठकों को उपन्यास के मुख्य पात्र 9 साल के जिब्रान के माध्यम से बाल-मन में उठने वाली कई सहज-सुलभ जिज्ञासाओं के बारे में जानने को मिलता है। कई बार उसके मन में उठने वाले सवाल और उसके जीवन में होने वाली घटनाएँ पाठक की भावनाओं को उद्वेलित करती हैं और पढ़ने वाले उस छोटे से लड़के से जुड़-से जाते हैं।

अनुवाद केवल पुस्तकों, लेखों या रचनाओं तक सीमित नहीं रह गया है, बल्कि उसने कई क्षेत्रों में प्रवेश करते हुए उन्हें समृद्ध किया है और वर्तमान में हर दिशा में बड़ा लाभदायक सिद्ध हो रहा है। ‘अनुवाद का समकाल’ पुस्तक जहाँ अनुवाद की परिभाषा, अर्थ, स्वरूप, सिद्धान्त, प्रक्रिया, प्रविधि, उपयोगिता, महत्‍त्‍व, भेद और चुनौतियों की विशद चर्चा करते हुए उनके विविध पक्षों पर मौलिकता के साथ समेकित निष्कर्ष प्रदान करती है, वहीं अनुवाद विमर्श से अपनी मौलिकता में और आगे बढ़ते हुए वर्तमान में अनुवाद की वैश्विक धरातल पर नूतन भूमिका को तलाशती हुई अनुवाद की अनिवार्य स्थितियों को कई स्तरों पर उजागर करती है। इनमें अनुवाद पुस्तकें, पत्र, दस्तावेज़, शासन-प्रशासन, कूटनीति, विदेश नीति में अनुवाद, खेल और पर्यटन में अनुवाद, अनुवाद का शिक्षा संस्थानों से सम्बन्ध, अनुवाद और वर्तमान में कार्यरत संस्थाएँ, परिषद, अनुवाद तकनीक का प्रयोग, प्रसार और परिदृश्य, अनुवाद सूचना प्रौद्योगिकी और उसकी वस्तु-स्थितियाँ, कंप्यूटर आधारित अनुवाद की उपयोगिता, सीमाएँ और चुनौतियाँ, डबिंग और अनुवाद के विभिन्न रूप एवं प्रकार, अनुवाद की एजेंसियाँ तथा उनके कार्यक्षेत्र, वैश्विक स्तर पर अनुवाद के सम्बन्ध में विश्वविद्यालयों में उपयोगी कोर्स, अनुवाद के पत्र-पत्रिकाएँ, पुरस्कार, अनुवाद की वेबसाइट, रेडियो और अनुवाद, सरकारी, ग़ैरसरकारी उद्यम, शब्दकोश, मोबाइल अनुवाद, अनुवाद के ब्लॉग, अनुवाद और रोज़गार, अनुवाद समारोह, कार्यशालाएँ आदि का विस्तृत और बहु उपयोगी प्रामाणिक ब्योरा प्राप्त किया जा सकता है। अब तक के अनुवाद को केन्द्र में रखकर रची गई पुस्तकों के मध्य यह पुस्तक अपनी मौलिकता के साथ अनुवाद के वर्तमान परिदृश्य को व्यापक रूप में समेटने का भरसक प्रयास करती है।

अल्लाह मियाँ का कारख़ाना उर्दू ज़बान में लिखे जा रहे आज के कुछ अहम नॉवेलों में से एक है। इस नॉवेल में एक बच्चे के ज़रिए मुस्लिम मुआशरे के हालात और समाजी, मआशी, मज़हबी, तालीमी और घरेलू ज़िन्दगी की परेशानियों का ज़िक्र बड़े ही आम और नर्म तरीके से किया गया है। इस नॉवेल का मफ़हूम जितना संजीदा है, तर्ज़ उतनी ही तज्रबाती है।

Dabistan e Lucknow: For the people of Lucknow and those who admire its culture, if there is any place they long to see, besides the holy sites, it is 'Lucknow.' The same Lucknow, where simply strolling through markets and promenades is enough to instil the values of culture and inclusiveness. The same Lucknow that was the standard of eloquence and oratory. The same Lucknow that was a beacon for language and colloquialism. The same Lucknow that was home to civilisation and sophistication. Maulana Baqar Shams is from the lineage of Khandan-e-Ijtihad, Lucknow. He was born in Jaunpur, India, on the 10th of August 1909 and passed away in Karachi, Pakistan, on the 6th of January 2007. He earned a Dabeer-e-Kamil (Master's in Writing) from Lucknow University and studied medicine at Munmba-e-Tib College, Lucknow. Maulana was proficient in Urdu, Persian, and Arabic and was also familiar with Hebrew and English.

Ek Tarha Ka Pagalpan (A Sort of Madness) is the sixth novel by Sahitya Akademi Award-winning Urdu novelist Rahman Abbas, set in the coastal region of Konkan (Maharashtra state) and covering the era from 1970 to 1990. The novel tells the tale of an illicit love story that links the turmoil and socio-political situation of the region through a curse uttered in the imaginary village of Kaamruth, in the vicinity of Mohenjo-daro, the Indus Valley Civilisation. It discusses the lives of people living in a forest near the Arabian Sea and how their lives were affected by the various emerging ideologies in the last decades of the twentieth century. Rahman Abbas (1972) is an Urdu novelist and the winner of India’s highest literary award, the Sahitya Akademi Award for the year 2018, for his fourth novel ‘Rohzin’. He has also won four State Academy Awards. He writes in Urdu and English. He is the author of 10 books, including 6 novels. He lives in Mumbai. Rahman is the author of ten books, including six novels, Nakhalistan Ki Talash (The Search of an Oasis, 2004), Ek Mamnua Muhabbat Ki Kahani (A Forbidden Love Story, 2009), Khuda Ke Saaye Mein Ankh Micholi (Hide and Seek in the Shadow of God, 2011) Rohzin (The Melancholy of the Soul, 2016), Zindeeq (The Apostate, 2021) and Ek Tarha Ka Pagalpan, (A Sort of Madness, 2023) Rohzin, has been translated into German, English, and Hindi. The German translation was discussed in Switzerland as part of ‘The Days of Indian Literature’ in February 2018, and in May-June 2018, Rahman toured various cities in Germany to discuss the novel with readers. The novel has also received the prestigious LitProm Grant managed by the Swiss and German governments. Penguin India Random House published Rohzin in English in May 2022, and the novel was shortlisted for the JCB Prize.

For the people of Lucknow and those who admire its culture, if there is any place they long to see, besides the holy sites, it is 'Lucknow.' The same Lucknow where simply strolling through markets and promenades is enough to instill the values of culture and inclusivity. The same Lucknow that was the standard of eloquence and oratory. The same Lucknow that was a beacon for language and colloquialism. The same Lucknow that was home to civilization and sophistication. As one of its admirers said : “go milii jannat bhi rehne ko bajaay Lucknow chaunk uthtaa hoon main hardam keh ke haay Lucknow.” Even when I get heaven to live in instead of Lucknow, I get startled every moment, exclaiming, 'Ah, Lucknow!') If you would like to learn about Lucknowi culture, history, social life, language, and rituals, or if you are curious about the lives of its famous rulers and nobles, then the book "Dastaan-e-Lucknow," written by the distinguished scholar and intellectual Syed Mohammad Baqar Shams, is a must-read! About the Author Maulana Baqar Shams’s is from the lineage of Khandan-e-Ijtihad, Lucknow. He was born in Jaunpur, India, on the 10th of August 1909 and passed away in Karachi, Pakistan, on the 6th of January 2007. He earned a Dabeer-e-Kamil (Masters-in-Writing) from Lucknow University and studied medicine at Munmba-e-Tib College Lucknow. Maulana was proficient in Urdu, Persian, and Arabic and was also familiar with Hebrew and English. Shams Sahib Qibla started poetry in 1923 at the age of 14 and literary articles and essays in 1926 at the age of 17. For a prolonged period in India and then in Pakistan, he was engaged in research, criticism, creation, composition, compilation, and reforms in the fields of education, literature, poetry, and oration. Additionally, he also had a passion for medicine and hunting. Amongst his published literary works: History of Lucknow; Youth of Lucknow; Language of Lucknow; Poetry of Lucknow; Civilization of Lucknow; Philosophy of Khayyam; Wisdom of Poetry; History of urduLanguage; Five Methods; Writings of Color; Critical Discussions; Failure of Mirror; Versified Pearl; Selections of Diwan-e-Javed; and Signs of Sun received several accolades. His book "Philosophy of Khayyam," which was published in 1937 by Sarfaraz Press Lucknow, was included in the syllabus of the Bachelor of Arts and Dabir-e-Kamil (Masters-in-Writing) of Lucknow University for an extended period. Maulana Baqar Shams was the companion and associate of many illustrious scholars of literature, among whom Mirza Muhammad Hadi Ruswa, Mirza Muhammad Hadi Aziz, Josh Malihabadi, Professor Masood Hasan Adeeb, Mirza Jafar Ali Khan Assar, Maulana Ali Naqi (Naqan Sahib Qibla), Dr. Ahsan Farooqui, Niaz Fatehpuri, Hazrat Safi Lakhnavi, Hazrat Aziz Lakhnavi, Nadim Sitapuri, Mushfiq Khawaja, Dr. Shaukat Sabzwari, Arzoo Lakhnavi, Mirza Kazim Hussain Mehshar, Sahir Lakhnavi, and Hussain Anjum are included.

Instead of limiting poetry to the mere expression of heartfelt emotions, Fahmi Badayuni has made it an object of mental exercise. This book is a collection of his poetry, including some of his recent ghazals. Zamaan Sher Khan, or Puttan Khan, was born on 4 January 1952 in the town of Bisauli in Badaun district and is best known as Fahmi Badayuni. Necessity brought him to the job of an accountant at a young age. When fate turned him away from the job, his interest in Maths and Science opened the doors of coaching classes. He was interested in Shayari and its criticism from a very young age. Around 1980, he started publishing his poetry in some magazines. Till then, two of his poetry collections, “Panchvi Samt” and “Dastaken Nigahon Ki” had been published.

Saleem Mohiuddin hails from the land of saints and seers — Tangabad (Deccan) — where he was born on February 23, 1963, in the culturally rich region of Parbhani. His poetic temperament carries a certain depth and complexity. His work reflects not only poetic subtleties and aesthetics but also a keen awareness of the breakdown of human relationships and the decline of values. His first collection of poetry, titled "Wabasta", was published long ago. Since then, several of his prose works have also been published. Now, after nearly twenty-five years, his second collection of poetry is in your hands.

अहमद मुश्ताक़ की ग़ज़लों में नाजुकी, बारीकियाँ और जुनून की तीव्रता बहुलता से देखने को मिलती हैं। प्रस्तुत किताब में अहमद मुश्ताक़ की चुनिन्दा रचनाओं का संकलन है| यह किताब उर्दू लिपि में प्रकाशित हुई है और पाठकों के बीच ख़ूब पसंद की गई है|

This novel is a journey from the ancient to the modern, in which the lines of the new civilization are also presented along with the ever-changing traditions.

मोई'द रशीदी हमारे अह्द के ताज़ा-फ़िक्र शाइ'र हैं| उनका जन्म 1988 में काँकीनारा (नॉर्थ कोलकाता) में हुआ| 2013 में उन्हें साहित्य अकादमी (दिल्ली) द्वारा युवा लेखक के लिए राष्ट्रीय पुरस्कार से सम्मानित किया गया| उन्होंने "जदीद ग़ज़ल की शे'रियात" पर पीएचडी की उपाधि प्राप्त की है| फ़िलहाल, वो उर्दू विभाग, अ'लीगढ़ मुस्लिम विश्विद्यालय में असिस्टेंट प्रोफ़ेसर हैं|

This is a captivating collection of short stories that weaves together the complexities of human emotions, relationships, and the intricate dance between dreams and reality. Each story offers a glimpse into the lives of ordinary people, facing extraordinary circumstances, from fleeting moments of joy to life-changing decisions. The author takes readers on a journey through diverse settings, exploring themes of love, loss, hope, and the quiet struggles that define our existence. With vivid characters and poignant narratives, these stories delve into the heart of what it means to be human, leaving readers reflecting on their own lives and the world around them.

Ghazaliyat-e-Zamin (Ghazals by Zamin) comprises works by her father, Professor S.M. Zamin Ali, which she published after his death. Professor Ali was the founder and head of the Urdu Department at Allahabad University and an illustrious poet, author, thought leader and educator. "An accomplished author, Begum Fatima Hasan (1940-1998), published six books in addition to numerous works broadcast as Urdu programming by All India Radio, Lucknow and published in popular Urdu magazines. These collected works include three books of short stories: Chauthaa Shauhar (The Fourth Husband), Awaraa Bagule (Wanderer Egrets), and Gul-o-Khar (Flowers & Thorns), as well as a book of children's stories, Qabaili Kahaniyan (Tribal Tales). Two of her books, Ghazaliyat-e-Zamin (Ghazals by Zamin) and Majmua-e-Qasaid-o-Salaam (Anthology of Odes and Blessings), consist of works by her father, Professor S.M. Zamin Ali, that she published after his death. "

This is a captivating collection of short stories that weaves together the complexities of human emotions, relationships, and the intricate dance between dreams and reality. Each story offers a glimpse into the lives of ordinary people, facing extraordinary circumstances, from fleeting moments of joy to life-changing decisions. The author takes readers on a journey through diverse settings, exploring themes of love, loss, hope, and the quiet struggles that define our existence. With vivid characters and poignant narratives, these stories delve into the heart of what it means to be human, leaving readers reflecting on their own lives and the world around them.

प्रस्तुत किताब में प्रसिद्ध उर्दू शाइर मुज़्तर ख़ैराबादी का चुनिन्दा कलाम संकलित है। यह किताब देवनागरी और उर्दू लिपि में प्रकाशित हुई है और पाठकों के बीच ख़ूब पसंद की गई है|

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The exquisite journey of love passes through numerous twists and turns, bringing different experiences to each individual. In Urdu poetry, poets have penned down these diverse experiences in rhyme with a sheer eloquence that aptly expresses the exceptional bond between the lover and the beloved. Meer, Ghalib, Momin, Dagh, Faiz, and hundreds of Urdu poets have given voice to the emotions of lovers going through stages such as longing, interplay, loving, possessiveness, rivalry, separation, breaking up, and frenzy. This eloquence makes every reader share this thought, as was inimitably expressed by Mirza Ghalib: Dekhna taqreer ki lazzat ki jo us ne kahaa Maine ye jaanaa ki goyaa ye bhi mere dil men hai ‘Love Longing Loss in Urdu Poetry’ narrates the enchanting tale of this journey, capturing the subtle nuances and beauty of Urdu poetry with all its grace. Also, this book is available in Hindi and Urdu Languages with the title "Hazaar Daastaan-e-Ishq".

The novel is a narrative of burning events that have inflicted pain on humanity. The existential and social problems of human life in independent India are brought to the fore in this novel in great detail. The struggle for identity and the individual's struggle are an important part of the story. While reading the novel, one feels as if one is hearing the story of the suffering people in their own words.

शमीम हनफ़ी की ग़ज़लें अँधेरे और परछाईं, रंगों के ढलने, भारी पलकें और दुखों की बात करती हैं, लेकिन कभी वैराग्य की बात नहीं करतीं। उनकी ग़ज़लें एक भावनात्मक दृश्य को उकेरती हैं जिसका एक हिस्सा कई बार वो ख़ुद भी होते हैं। शमीम हनफ़ी अपने शब्दों को गहरे गहरे रंगों में रंगते हैं। उनके विचारों को समझने के लिए गहराई में तैरने की जरूरत है। `आख़िरी पहर की दस्तक` उर्दू भाषा के प्रसिद्ध साहित्यालोचक `शमीम हनफ़ी` की आख़िरी कृति है। उनकी काव्य-रचना की दुनिया में परंपरा की लगातार अंतर्ध्वनियाँ हैं और नई रंगतें भी। कविता की सीमाओं का तीखा अहसास भी उनके यहाँ है।

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