Dastan-E-Lucknow
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For the people of Lucknow and those who admire its culture, if there is any place they long to see, besides the holy sites, it is 'Lucknow.' The same Lucknow where simply strolling through markets and promenades is enough to instill the values of culture and inclusivity. The same Lucknow that was the standard of eloquence and oratory. The same Lucknow that was a beacon for language and colloquialism. The same Lucknow that was home to civilization and sophistication. As one of its admirers said : “go milii jannat bhi rehne ko bajaay Lucknow chaunk uthtaa hoon main hardam keh ke haay Lucknow.” Even when I get heaven to live in instead of Lucknow, I get startled every moment, exclaiming, 'Ah, Lucknow!') If you would like to learn about Lucknowi culture, history, social life, language, and rituals, or if you are curious about the lives of its famous rulers and nobles, then the book "Dastaan-e-Lucknow," written by the distinguished scholar and intellectual Syed Mohammad Baqar Shams, is a must-read! About the Author Maulana Baqar Shams’s is from the lineage of Khandan-e-Ijtihad, Lucknow. He was born in Jaunpur, India, on the 10th of August 1909 and passed away in Karachi, Pakistan, on the 6th of January 2007. He earned a Dabeer-e-Kamil (Masters-in-Writing) from Lucknow University and studied medicine at Munmba-e-Tib College Lucknow. Maulana was proficient in Urdu, Persian, and Arabic and was also familiar with Hebrew and English. Shams Sahib Qibla started poetry in 1923 at the age of 14 and literary articles and essays in 1926 at the age of 17. For a prolonged period in India and then in Pakistan, he was engaged in research, criticism, creation, composition, compilation, and reforms in the fields of education, literature, poetry, and oration. Additionally, he also had a passion for medicine and hunting. Amongst his published literary works: History of Lucknow; Youth of Lucknow; Language of Lucknow; Poetry of Lucknow; Civilization of Lucknow; Philosophy of Khayyam; Wisdom of Poetry; History of urduLanguage; Five Methods; Writings of Color; Critical Discussions; Failure of Mirror; Versified Pearl; Selections of Diwan-e-Javed; and Signs of Sun received several accolades. His book "Philosophy of Khayyam," which was published in 1937 by Sarfaraz Press Lucknow, was included in the syllabus of the Bachelor of Arts and Dabir-e-Kamil (Masters-in-Writing) of Lucknow University for an extended period. Maulana Baqar Shams was the companion and associate of many illustrious scholars of literature, among whom Mirza Muhammad Hadi Ruswa, Mirza Muhammad Hadi Aziz, Josh Malihabadi, Professor Masood Hasan Adeeb, Mirza Jafar Ali Khan Assar, Maulana Ali Naqi (Naqan Sahib Qibla), Dr. Ahsan Farooqui, Niaz Fatehpuri, Hazrat Safi Lakhnavi, Hazrat Aziz Lakhnavi, Nadim Sitapuri, Mushfiq Khawaja, Dr. Shaukat Sabzwari, Arzoo Lakhnavi, Mirza Kazim Hussain Mehshar, Sahir Lakhnavi, and Hussain Anjum are included.
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For the people of Lucknow and those who admire its culture, if there is any place they long to see, besides the holy sites, it is 'Lucknow.' The same Lucknow where simply strolling through markets and promenades is enough to instill the values of culture and inclusivity. The same Lucknow that was the standard of eloquence and oratory. The same Lucknow that was a beacon for language and colloquialism. The same Lucknow that was home to civilization and sophistication. As one of its admirers said : “go milii jannat bhi rehne ko bajaay Lucknow chaunk uthtaa hoon main hardam keh ke haay Lucknow.” Even when I get heaven to live in instead of Lucknow, I get startled every moment, exclaiming, 'Ah, Lucknow!') If you would like to learn about Lucknowi culture, history, social life, language, and rituals, or if you are curious about the lives of its famous rulers and nobles, then the book "Dastaan-e-Lucknow," written by the distinguished scholar and intellectual Syed Mohammad Baqar Shams, is a must-read! About the Author Maulana Baqar Shams’s is from the lineage of Khandan-e-Ijtihad, Lucknow. He was born in Jaunpur, India, on the 10th of August 1909 and passed away in Karachi, Pakistan, on the 6th of January 2007. He earned a Dabeer-e-Kamil (Masters-in-Writing) from Lucknow University and studied medicine at Munmba-e-Tib College Lucknow. Maulana was proficient in Urdu, Persian, and Arabic and was also familiar with Hebrew and English. Shams Sahib Qibla started poetry in 1923 at the age of 14 and literary articles and essays in 1926 at the age of 17. For a prolonged period in India and then in Pakistan, he was engaged in research, criticism, creation, composition, compilation, and reforms in the fields of education, literature, poetry, and oration. Additionally, he also had a passion for medicine and hunting. Amongst his published literary works: History of Lucknow; Youth of Lucknow; Language of Lucknow; Poetry of Lucknow; Civilization of Lucknow; Philosophy of Khayyam; Wisdom of Poetry; History of urduLanguage; Five Methods; Writings of Color; Critical Discussions; Failure of Mirror; Versified Pearl; Selections of Diwan-e-Javed; and Signs of Sun received several accolades. His book "Philosophy of Khayyam," which was published in 1937 by Sarfaraz Press Lucknow, was included in the syllabus of the Bachelor of Arts and Dabir-e-Kamil (Masters-in-Writing) of Lucknow University for an extended period. Maulana Baqar Shams was the companion and associate of many illustrious scholars of literature, among whom Mirza Muhammad Hadi Ruswa, Mirza Muhammad Hadi Aziz, Josh Malihabadi, Professor Masood Hasan Adeeb, Mirza Jafar Ali Khan Assar, Maulana Ali Naqi (Naqan Sahib Qibla), Dr. Ahsan Farooqui, Niaz Fatehpuri, Hazrat Safi Lakhnavi, Hazrat Aziz Lakhnavi, Nadim Sitapuri, Mushfiq Khawaja, Dr. Shaukat Sabzwari, Arzoo Lakhnavi, Mirza Kazim Hussain Mehshar, Sahir Lakhnavi, and Hussain Anjum are included.
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Dastan-e-Lucknow is not a collection of stories about a city — it is an act of taaziyat, a mourning for a civilisation that defined tehzeeb, eloquence, and the art of living with grace. Each story in this collection reconstructs a Lucknow that was the standard-bearer of Urdu oratory, where markets taught manners and promenades shaped character. This is the Lucknow where conversation was a fine art, where language carried the weight of centuries, and where inclusivity was woven into daily life. Published by Rekhta Publications, this collection speaks to readers who carry the memory of pre-Partition Awadh or long to understand what was lost when that world dissolved. It positions Lucknow not as a place on a map but as a spiritual and cultural homeland — a city whose absence is felt more acutely than its presence ever was.
یہ کتاب پڑھنے کا تجربہ کیسا ہوگا؟
یہ کتاب ایک گزرے ہوئے دور کی یادوں میں ڈوب جانے کا تجربہ دیتی ہے، جہاں ہر فقرہ تہذیب اور شائستگی کا عکس ہے۔ لکھنؤ کے بازاروں، گلیوں اور محفلوں کو اس انداز میں بیان کیا گیا ہے کہ قاری خود کو اس شہر کی روح میں محسوس کرتا ہے۔ یہ کتاب جلدی میں نہیں پڑھی جاتی — یہ ٹھہر کر، سوچ کر، اور محسوس کرتے ہوئے پڑھی جاتی ہے۔
یہ کتاب کس قسم کے قارئین کے لیے موزوں ہے؟
- وہ لوگ جو لکھنؤ سے تعلق رکھتے ہیں یا اس کی ثقافت سے محبت کرتے ہیں
- اردو ادب کے شائقین جو کلاسیکی نثر کی قدر کرتے ہیں
- تقسیم سے پہلے کی تہذیب اور اس کے زوال کو سمجھنے میں دلچسپی رکھنے والے
- وہ قارئین جو تاریخ کو انسانی تجربات کے ذریعے محسوس کرنا چاہتے ہیں
آج کے ہندوستان میں لکھنؤ کی اس یاد کی کیا اہمیت ہے؟
لکھنؤ وہ شہر تھا جہاں زبان، تہذیب اور باہمی احترام ایک دوسرے سے جڑے ہوئے تھے۔ آج جب شناخت کی سیاست اور تیز رفتار زندگی نے انسانی رشتوں کو کمزور کیا ہے، تب لکھنؤ کی یہ داستان ہمیں یاد دلاتی ہے کہ کس طرح ایک شہر نے شائستگی، مکالمے اور بقائے باہم کو اپنا اصول بنایا تھا۔
اس کتاب کے بیانیے میں کیا منفرد بات ہے؟
یہ کتاب لکھنؤ کو صرف تاریخی مقام کے طور پر پیش نہیں کرتی بلکہ اسے ایک روحانی اور ثقافتی وطن کے طور پر دیکھتی ہے۔ ہر کہانی میں زبان کی نزاکت، محاوروں کی خوبصورتی، اور اس شہر کی گم شدہ روح کو محسوس کیا جا سکتا ہے۔ یہ نوحہ نہیں، بلکہ محبت بھرا خراج تحسین ہے۔
یہ کتاب پڑھنے کے بعد قاری کے دل و دماغ پر کیا اثر رہ جاتا ہے؟
قاری کے اندر ایک گہری کسک اور تڑپ باقی رہ جاتی ہے — اس شہر کی، اس تہذیب کی، اور اس زبان کی جو اب صرف کتابوں میں زندہ ہے۔ کتاب ختم ہونے کے بعد بھی لکھنؤ کی گلیاں، اس کی محفلیں، اور اس کے لوگ ذہن میں آباد رہتے ہیں۔ یہ محض ایک شہر کی کہانی نہیں — یہ ایک گزرے ہوئے عہد کی روح ہے۔
