आधुिनक दौर की 8 बेहतरीन कहानियाँ जो आज के युवा वर्ग और सभी वर्गों को पसंद आयेंगी। दुनिया को बेहतर नजरिये और सकारात्मक सोच देने वाली मर्मस्पर्शी कथायें। #हैशटैग हम कई बार जान भी नहीं पाते कि हमारे आस पड़ोस के घरों में खाने के अलावा अनेक कहानियाँ भी पक रही होती हैं।उनकी उठती गंध किसी किताब की शक्ल में हम तक पहुँचती है।तब हम उनका ज़ायका जान पाते हैं। ऐसी ही ज़ायकेदार आठ कहानियों में गुंथी सुबोध भारतीय की 'हैशटैग' एक ऐसी किताब है जिसमें आधुनिक नगरीय परिवेश की उधेड़बुन को बड़ी सरलता से उधेड़ दिया गया है। कहानियाँ पढ़ते हुए उनके तमाम किरदार हमारे ज़ेहन में अपने आसपास के कई पात्रों को ला खड़े करते हैं।यही इनकी सफलता है।ये आज के जीवन की कहानियाँ हैं,इन कहानियों में आज का जीवन है। सरल भाषा में लिखी सहज किताब । रुपाली_संझा

तहकीकात नीलम जासूस कार्यालय द्वारा प्रकाशित एक ऐसी अनूठी पत्रिका है जिसका सारे भारत में कोई जोड़ नहीं है इस पत्रिका में अपराधिक, रहस्यभरी और डरावनी कहानियों के अतिरिक्त एक परिशिष्ट सत्यबोध परिशिष्ट के नाम से प्रकाशित किया जाता है जिसमें साहित्यिक उच्च कोटि की रचनाएं प्रकाशित की जाती हैं तथा कुछ महत्वपूर्ण पुस्तकों की समीक्षाएं भी आती हैं। इस पत्रिका का प्रत्येक अंक संग्रह के योग्य है। पत्रिका के ताजा अंकों में स्वर्गीय जनप्रिय लेखक ओमप्रकाश शर्मा की आत्मकथा के अंश प्रकाशित किये जा रहे हैं। अब तक इस पत्रिका के पांच अंक प्रकाशित हो चुके हैं और जनवरी 2024 में इसका छटा अंक प्रकाशित होगा।

तहकीकात नीलम जासूस कार्यालय द्वारा प्रकाशित एक ऐसी अनूठी पत्रिका है जिसका सारे भारत में कोई जोड़ नहीं है इस पत्रिका में अपराधिक, रहस्यभरी और डरावनी कहानियों के अतिरिक्त एक परिशिष्ट सत्यबोध परिशिष्ट के नाम से प्रकाशित किया जाता है जिसमें साहित्यिक उच्च कोटि की रचनाएं प्रकाशित की जाती हैं तथा कुछ महत्वपूर्ण पुस्तकों की समीक्षाएं भी आती हैं। इस पत्रिका का प्रत्येक अंक संग्रह के योग्य है। पत्रिका के ताजा अंकों में स्वर्गीय जनप्रिय लेखक ओमप्रकाश शर्मा की आत्मकथा के अंश प्रकाशित किये जा रहे हैं। अब तक इस पत्रिका के पांच अंक प्रकाशित हो चुके हैं और जनवरी 2024 में इसका छटा अंक प्रकाशित होगा।

"जनप्रिय" वरिष्ठ हिंदी साहित्यकार ओम प्रकाश शर्मा के जन्मशती वर्ष पर प्रकाशित एक विशेष स्मृतिग्रंथ है। संपादक सुबोध भारतीय द्वारा तैयार इस पुस्तक में उनके जीवन, लेखकीय संघर्ष, साहित्यिक योगदान और कालजयी पात्रों पर संस्मरण व विश्लेषण प्रस्तुत हैं। साथ ही उनके उपन्यासों में निहित सामाजिक चेतना, ऐतिहासिक दृष्टि और मानवीय संवेदनाओं का मूल्यांकन भी किया गया है। यह ग्रंथ हिंदी जासूसी साहित्य की समृद्ध विरासत को नई पीढ़ी तक पहुँचाने का एक महत्वपूर्ण और संग्रहणीय प्रयास है।

तहकीकात (अंक-4) रहस्य, अपराध, रोमांच और गंभीर साहित्य का अनूठा संगम है। इस विशेषांक में सत्य घटनाओं पर आधारित अपराध-कथाएँ, रोमांचक अनुवाद, आत्मकथा, व्यंग्य, समीक्षा, ग़ज़ल, संस्मरण और सामाजिक सरोकारों से जुड़ी प्रभावशाली रचनाएँ एक ही मंच पर प्रस्तुत की गई हैं। प्रतिष्ठित लेखकों की विविध विधाओं में लिखी गई सामग्री पाठकों को मनोरंजन के साथ विचार करने के लिए भी प्रेरित करती है। रहस्य साहित्य और उत्कृष्ट हिंदी लेखन के प्रेमियों के लिए यह संग्रहणीय अंक एक बेहतरीन पाठ्य अनुभव प्रदान करता है।

तहकीकात (अंक–2) रहस्य, अपराध और रोमांच के प्रेमियों के लिए एक उत्कृष्ट संग्रह है। इस विशेषांक में देश-विदेश के चर्चित लेखकों की जासूसी, अपराध और थ्रिलर कहानियाँ, रोचक समीक्षाएँ, साहित्यिक लेख, लघुकथाएँ तथा हास्य-व्यंग्य का संतुलित समावेश है। हर रचना पाठक को नए रहस्यों, अप्रत्याशित मोड़ों और रोमांचक घटनाओं की दुनिया में ले जाती है। विविध विषयों, प्रभावशाली प्रस्तुति और पठनीय सामग्री से भरपूर यह अंक जासूसी साहित्य के प्रत्येक पाठक के संग्रह में शामिल होने योग्य है।

Awaiting Description from Publisher

A collection of short-stories set in the 20th Century India for the 21st Century kids & a nostalgic walk, for their parents & grandparents. Although this book has been named after the city of Chandausi, it contains stories from various places like Rishikesh, Agra, Champaran, Tilhar, Sambhal, Kanpur, Banaras, Lucknow and many others. These are the short stories of a bygone era-a period when India had either not gained independence or had been independent for not more than 35 years. These are the tales of journeys-taken up from the early 20th century to the end of a millennium, from Shahjahanpur to Delhi, from Bijnor to Hyderabad, from Hathras to Sweden & Norway, from Lakshmi Talkies, Allahabad to Night Watchman, Bangalore, from Panki to USA, from Dehradun to Canada, from Chandausi to Australia and many others. We are sure in all these stories, you will be able to find at least one character, which reminds you of your own self-of what you are, were or always wanted to be. Let us know the character with whom you have been able to relate to the most. Happy reading. “Genius is one percent inspiration and 99 percent perspiration,”-Thomas A. Edison. -Here’s a collection of short stories to inspire the readers.

Welcome to a mysterious land where ghosts. Ghouls and spirits rule. Welcome to a place where haunted houses and evil souls will make a shiver run down your spine. A spooky tale in the scenic hills of Mussoorie awaits you while uncanny happenings in a literary competition are sure to intrigue you. The case of a mysterious white Maruti baffles everyone, even as the unsuspecting jogger experiences something he had never bargained for. A group of friends will encounter the worst terror of their lives while nightmares of his death rack the young man! Author's In and The Book Bakers present an eclectic mix of true stories, legends, and fables that have often been a part of India's folklore—armed with some of the best authors in India's paranormal literature history. CASE FILES OF THE DEAD; India's first pure horror public anthology will turn every host into (G)Host!!!

The Best Stories of Mohapatra Nilamani Sahoo: This book is a translation of Mohapatra Nilamani Sahoo's short stories, written in his inimitable style. The stories, originally written in Odia, were truly representative of Odia culture and traditions; the narrative is unique and deeply emotional and carries the readers with the flow. This volume is a specimen of Mohapatra Nilamani Sahoo's short stories for the wider readership

Look into the mirror of the sciety and all you see is a scarecrow!" An anthology that mirrors the society at large. Thirteen stories that take you to the streets of Kabul to the paddy fields in rural Bengal, from a chirstmas in Paris to a famine in Orissa, from the lavish life futility of a rockstar to the aspiring dreams of a prostitute from artistic nudity to meeting God. This anthology has it all. The roller coaster ride of emotions will justify life is nor black , nor white but mostly grey!! And the scarecrow in some paddy field will keep mocking the society and it's futile taboos!! Can we be the scarecrow? An anthology you may love or hate but can't ignore for sure!!

This sheaf of nineteen short stories, written by different authors, represents a cross-section of contemporary Indian short fiction. Eighteen stories are translations from eighteen modern Indian languages, and one is a specimen of Indian creative writing in English. Selected by the Sahitya Akademi's Advisory Boards of various languages, these stories, provide fascinating glimpses into the panorama of Indian life, with its baffling variety, its rich contrasts of the simple and the sophisticated, the ancient and the modern. Here is evidence, if such were needed that Indian literature is one though written in many languages its oneness consisting not of a stale uniformity but of a rich variety. This is the third volume of Sahitya Akademi series of such representative anthologies in English of contemporary Indian short story.

The Kashmiri short story was born with the progressive movement in Kashmir and its acceptted the standards and values dictated by the movement unquesioningly. Nationalism and the desire for reaching out to people inspired most of the writers to switch over to Kashmiri, even though they had strated writing in Urdu. Dinanath Nadim's Javabi Card (Reply-Card) and Somnath Zutshi's Yell Phol Gash (when there was light) are the first two short stories written in Kashmiri

Chaso, short for Chaganti Somayajulu, was born in 1915 in Srikakulam and spent most of his life in Vizianagaram. He began his literary journey as a poet in English and later in Telugu. He was also an essayist and wrote one play. However, his true passion was the short story, which he considered a lyrical poem. His first short story, 'Chinnaaji,' published in 1942, was critically acclaimed, and by 1945 he was recognised as a leading figure and master of the genre. He set high standards for himself and, throughout a life dedicated to literature, published only about 50 stories. He was the first Telugu writer to incorporate Marxist ideas into short stories, though his stories are notably free of rhetoric. His narratives often portray the raw lives of the poor and the very poor, characterised by brevity, reticence, and compression. He was a founding member of the Progressive Writers Association. An atheist, Chaso willed his body for medical research, which his family honoured after his death in 1994.

This collection of twenty-two short stories, written mostly between 1930 and 1950 by various authors, offers a snapshot of contemporary Indian short fiction. Twenty stories are translations from fourteen Indian languages, and two are original works in English. This demonstrates, if proof were needed, that Indian literature, despite being written in many languages, is unified - not by sameness, but by its rich diversity.

Wearer of many hats-philanthropist, entrepreneur, computer scientist, engineer, teacher-Sudha Murty has above all always been a storyteller extraordinaire. Winner of the R.K. Narayan Award for Literature, the Padma Shri, the Attimabbe Award from the government of Karnataka for excellence in Kannada literature, and the Raymond Crossword Lifetime Achievement Award, her repertoire includes adult non-fiction, adult fiction, children’s books, travelogues and technical books. Here, There and Everywhere is a celebration of her literary journey and is her 200th title across genres and languages. Bringing together her best-loved stories from various collections alongside some new ones and a thoughtful introduction, here is a book that is, in every sense, as multifaceted as its author.

A comparison of the lives and writing of Devkota and Nirala by Murari Madhusudan Thakur. Sahitya Akademi Award 2021

The short stories - originally written in Urdu, Punjabi, Sindhi, Pushto, and Saraiki, and now translated into English - showcased in this anthology engage with the above questions in their own ways, articulating a multiplicity of voices and experiences. They chronicle the birth of the nation of Pakistan in traumatic circumstances and its chequered history over the past fifty years by depicting the "desire and aspirations, fear and horror, pride, shame, helplessness and a thousand other unnamed feelings" of their protagonists. In doing so, they also depict the immensely varied and rich tapestry of cultural life in Pakistan.

Women’s voices no longer solely portray confinement to kitchens and backyards or victimhood. Instead, they emphasise unseen restrictions faced by individuals and significant barriers within global contexts. This collection of twenty-nine short stories covers diverse themes, complex narratives, unique characters, inventive metaphors, and alternative viewpoints. All stories aim for a just and equitable world. Key topics include Dalit, minority, and tribal issues, farmers’ struggles, new forms of exploitation in high-tech sectors under Globalisation, and existential questions, which are central to these women's writings. Over a dozen passionate translators helped bring these stories to English-speaking readers. The shift of women from victims to survivors to saviours would be even more impactful if men and women worked together to build a casteless, classless, environmentally mindful society- an aspiration our writers share.

Phanishwar Nath Renu’s fiction offers a vivid portrayal of human actions set in their authentic geographical context. The author boldly diverges from conventional linguistic norms, capturing a distinct form of Hindi rooted in his regional community's language. This regional dialect becomes an integral part of his storytelling. The primary challenge in translating his work into a language like English lies in capturing the essence of Bihar's sounds and the creative linguistic twists that give his stories their unique flavour. Only when these local nuances and inventive distortions resonate in English can the original spirit be truly conveyed. The success of these translations is evident in the translators' heartfelt efforts to evoke the essence of the originals in their own distinctive styles.