Look into the mirror of the sciety and all you see is a scarecrow!" An anthology that mirrors the society at large. Thirteen stories that take you to the streets of Kabul to the paddy fields in rural Bengal, from a chirstmas in Paris to a famine in Orissa, from the lavish life futility of a rockstar to the aspiring dreams of a prostitute from artistic nudity to meeting God. This anthology has it all. The roller coaster ride of emotions will justify life is nor black , nor white but mostly grey!! And the scarecrow in some paddy field will keep mocking the society and it's futile taboos!! Can we be the scarecrow? An anthology you may love or hate but can't ignore for sure!!

The Kashmiri short story was born with the progressive movement in Kashmir and its acceptted the standards and values dictated by the movement unquesioningly. Nationalism and the desire for reaching out to people inspired most of the writers to switch over to Kashmiri, even though they had strated writing in Urdu. Dinanath Nadim's Javabi Card (Reply-Card) and Somnath Zutshi's Yell Phol Gash (when there was light) are the first two short stories written in Kashmiri

The Best Stories of Mohapatra Nilamani Sahoo: This book is a translation of Mohapatra Nilamani Sahoo's short stories, written in his inimitable style. The stories, originally written in Odia, were truly representative of Odia culture and traditions; the narrative is unique and deeply emotional and carries the readers with the flow. This volume is a specimen of Mohapatra Nilamani Sahoo's short stories for the wider readership

Chaso, short for Chaganti Somayajulu, was born in 1915 in Srikakulam and spent most of his life in Vizianagaram. He began his literary journey as a poet in English and later in Telugu. He was also an essayist and wrote one play. However, his true passion was the short story, which he considered a lyrical poem. His first short story, 'Chinnaaji,' published in 1942, was critically acclaimed, and by 1945 he was recognised as a leading figure and master of the genre. He set high standards for himself and, throughout a life dedicated to literature, published only about 50 stories. He was the first Telugu writer to incorporate Marxist ideas into short stories, though his stories are notably free of rhetoric. His narratives often portray the raw lives of the poor and the very poor, characterised by brevity, reticence, and compression. He was a founding member of the Progressive Writers Association. An atheist, Chaso willed his body for medical research, which his family honoured after his death in 1994.

This sheaf of nineteen short stories, written by different authors, represents a cross-section of contemporary Indian short fiction. Eighteen stories are translations from eighteen modern Indian languages, and one is a specimen of Indian creative writing in English. Selected by the Sahitya Akademi's Advisory Boards of various languages, these stories, provide fascinating glimpses into the panorama of Indian life, with its baffling variety, its rich contrasts of the simple and the sophisticated, the ancient and the modern. Here is evidence, if such were needed that Indian literature is one though written in many languages its oneness consisting not of a stale uniformity but of a rich variety. This is the third volume of Sahitya Akademi series of such representative anthologies in English of contemporary Indian short story.

Wearer of many hats-philanthropist, entrepreneur, computer scientist, engineer, teacher-Sudha Murty has above all always been a storyteller extraordinaire. Winner of the R.K. Narayan Award for Literature, the Padma Shri, the Attimabbe Award from the government of Karnataka for excellence in Kannada literature, and the Raymond Crossword Lifetime Achievement Award, her repertoire includes adult non-fiction, adult fiction, children’s books, travelogues and technical books. Here, There and Everywhere is a celebration of her literary journey and is her 200th title across genres and languages. Bringing together her best-loved stories from various collections alongside some new ones and a thoughtful introduction, here is a book that is, in every sense, as multifaceted as its author.

Welcome to a mysterious land where ghosts. Ghouls and spirits rule. Welcome to a place where haunted houses and evil souls will make a shiver run down your spine. A spooky tale in the scenic hills of Mussoorie awaits you while uncanny happenings in a literary competition are sure to intrigue you. The case of a mysterious white Maruti baffles everyone, even as the unsuspecting jogger experiences something he had never bargained for. A group of friends will encounter the worst terror of their lives while nightmares of his death rack the young man! Author's In and The Book Bakers present an eclectic mix of true stories, legends, and fables that have often been a part of India's folklore—armed with some of the best authors in India's paranormal literature history. CASE FILES OF THE DEAD; India's first pure horror public anthology will turn every host into (G)Host!!!

This collection of twenty-two short stories, written mostly between 1930 and 1950 by various authors, offers a snapshot of contemporary Indian short fiction. Twenty stories are translations from fourteen Indian languages, and two are original works in English. This demonstrates, if proof were needed, that Indian literature, despite being written in many languages, is unified - not by sameness, but by its rich diversity.

A comparison of the lives and writing of Devkota and Nirala by Murari Madhusudan Thakur. Sahitya Akademi Award 2021

Women’s voices no longer solely portray confinement to kitchens and backyards or victimhood. Instead, they emphasise unseen restrictions faced by individuals and significant barriers within global contexts. This collection of twenty-nine short stories covers diverse themes, complex narratives, unique characters, inventive metaphors, and alternative viewpoints. All stories aim for a just and equitable world. Key topics include Dalit, minority, and tribal issues, farmers’ struggles, new forms of exploitation in high-tech sectors under Globalisation, and existential questions, which are central to these women's writings. Over a dozen passionate translators helped bring these stories to English-speaking readers. The shift of women from victims to survivors to saviours would be even more impactful if men and women worked together to build a casteless, classless, environmentally mindful society- an aspiration our writers share.

The short stories - originally written in Urdu, Punjabi, Sindhi, Pushto, and Saraiki, and now translated into English - showcased in this anthology engage with the above questions in their own ways, articulating a multiplicity of voices and experiences. They chronicle the birth of the nation of Pakistan in traumatic circumstances and its chequered history over the past fifty years by depicting the "desire and aspirations, fear and horror, pride, shame, helplessness and a thousand other unnamed feelings" of their protagonists. In doing so, they also depict the immensely varied and rich tapestry of cultural life in Pakistan.

Phanishwar Nath Renu’s fiction offers a vivid portrayal of human actions set in their authentic geographical context. The author boldly diverges from conventional linguistic norms, capturing a distinct form of Hindi rooted in his regional community's language. This regional dialect becomes an integral part of his storytelling. The primary challenge in translating his work into a language like English lies in capturing the essence of Bihar's sounds and the creative linguistic twists that give his stories their unique flavour. Only when these local nuances and inventive distortions resonate in English can the original spirit be truly conveyed. The success of these translations is evident in the translators' heartfelt efforts to evoke the essence of the originals in their own distinctive styles.

Something Unspoken Too, Kujjh Ankeha Vi, which won Prem Parkash the prestigious Sahitya Akademi Award in 1992, is now being rendered into English as Something Unspoken Too. Most of the stories iun this collection bear testimony to this unique facet of Prem Parkash's art and craft, through which he searches for the hidden, the unrevealed, the mysterious and the unspoken, all in an effort to understand the complexities of human motives and actions. Thestories in this collection move precariously across the spectruuum of words and silences, giving rise to spaces in which the unarticulated can aesthetically be located. Prem Parkash is a 'poet' of the twilight zone, a wanderer of forbidden territories and a cartographer of complex human relationships.

This collection of twenty-one short stories, written by different authors, represents a cross-section of contemporary Indian short fiction. Twenty short stories are translations from twenty languages of Indian creative writing in English and edited by Shantinath K. Desai. This is the fourth volume of Sahitya Akademi's series of such representative anthologies in English of contemporary Indian short stories.

Mystery of the Missing Cap and Others Stories, originally published as Manoj Dasanka Katha O Kahini was the first collection of short stories in Odia to receive the Sahitya Akademi Award (1972). The collection spans twenty-two years of the writer's contribution to Odia short story. While Sri Das has won wider recognitions through his subsequently written stories, roping into the circle of his admires writers like Graham Greene and H.R.F. Keating, this collection marks a mile stone in the evolution of Odia fiction, infusing into the genre of short stories a neew vitality through a combination of deep psychological insight into characters and situations and a remarkable precision in sytle. The translation is by the author himself whoalso occupies a special places in Indian writing in English.

Peddibhotla Subbaramaiah's short stories are the English translations of the Telugu book Peddibhotla Subbaramaiah Kathalu, which has won the Sahitya Akademi Award. This collection includes thirty-four stories that explore a variety of themes, delicate issues, unique events, and different incidents. These stories vividly depict society, social realism, and social consciousness. Each story sheds light on a different facet of social reality, showcasing sharp and perceptive observations of society. The collection mainly concentrates on middle-class struggles, jealousy, and daily life.

Volume 1 of Indian Stories is a curated selection of short stories translated into English from various Indian languages. This volume goes beyond being a simple collection; it captures the evolving social conditions and value systems over the past sixty years. The diverse stories showcase the richness of Indian culture and tradition, while also featuring universal elements that resonate with contemporary audiences and other cultures. The narratives within this anthology reflect the essence of India over time, weaving in mystical elements as they bridge the past and present. The dynamism, wisdom, and human qualities present in these tales ensure their relevance for generations. This is the first volume in a series, with each installment designed to highlight different aspects of Indian culture.

Bhagirath Mishra’s genius lies in capturing heart- wrenching tales in a fluent and evocative language. His characters unravel from the shadows and folds, intrigue, and win your heart. This brief curation, translated from Bengali by Subhashis Gangopadhyay, Mrinal Kanti Dasgupta, Amlan Biswas, and Amita Roy, introduces one of Bengal’s most prolific writers to global readers through six of his best-known stories.

This collection of 43 stories from 21 languages highlights India's diverse and intricate life. They depict everything from the chaos and mass hysteria of partition to the suppressed anger and self-pity of people trapped in broken homes. These narratives explore both outer experiences and internal struggles within Indian society. The stories emphasise the sacred and the profane, as well as the voices of the elite and the marginalised, serving as mirrors for self-reflection. Together, these tales trace a transformative century during which India emerged as a unified nation. The vivid imagery from the tumultuous 20th century is both disturbing and enlightening.

Ashokamitran published the collection of stories called Appavin Snehidar (My Father's Friend) in 1991. All the stories are shot through with a comic vision that marks Ashokamitran's and nine short stories, all of which were written between 1990 and 1991. Ashokamitran writes in a spare and understated style about the changing cityscape in India today, and about the lives of ordinary men and women caught up in the tragic circumstances of every day life. All the stories are shot through with a comic vision that marks Ashokamitran's work and gives it its compassion.