Ramjanmabhoomi’ means the birthplace of Lord Rama who is the reincarnation of Lord Vishnu. The birth place of Lord Rama is situated in Ayodhya in the state of Uttar Pradesh which makes Ayodhya one of most sacred places for Hindus. In 1528, Babar who had invaded India, got the Ram Temple demolished and built a Mosque like structure over it. Since then, Hindus have been trying to get this place back and build a Ram Temple on it. Many Hindus sacrificed their lives for this cause. In recent times, the movement to build a Ram Temple was launched in mid-1980s. It became one of the defining moments for India as it brought a paradigm shift in Indian politics too. The case to build a Ram Temple at Ramjanmabhoomi also has the distinction of being the longest running legal battle in the history of the world. The matter was finally decided by the Supreme Court in 2019 paving way for the construction of a Ram Temple at Ramjanmabhoomi. This book explores all these facets of ‘Ramjanmabhoomi’ and brings together at one place all the important details of this grand and tumultuous saga. It starts with the birth of Lord Rama and culminates with the verdict of the Supreme Court exploring how this saga unfolded on battle fields, archaeological sites and in court rooms and newsrooms. Backed by historical documents, scriptures, anecdotes and documented debates on this issue, this book takes you on a journey which spans over thousands of years and helps one understand the historicity as well as significance of Ramjanmabhoomi.

It was a court battle between the first Prime Minister of India Jawahar Lal Nehru and Organiser, an English weekly backed by the RSS that led to restrictions on freedom of expression which we are debating today. The RSS had defended the sacred Sikh Shrine ‘Darbar Sahib’ at Amritsar twice when Muslim League led mobs attacked it in 1947. Did you know that one single anti-India and pro-China book ‘India’s China War’ written by Anglo-Australian journalist Neville Maxwell shaped the global narrative against India for more than five decades. It was a Swedish journalist Bertil Lintner who challenged it and turned the tables on Chinese propaganda with his book ‘China’s India War’ but even Indians don’t talk about it. Everyone remembers the 1962 war when India lost to China but there was another war in 1967 on Sikkim border where India took the revenge of 1967 and defeated China. Most of us don’t even know about this great victory! Indians have been made to remember the 1962 defeat and forget the glorious victory of 1967. Many such stories which comprise the forgotten history of India are part of this book. This forgotten history of India has been buried deep down in the dusty archives waiting to be told.

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अल्फ्रेड नोबेल विश्वविख्यात आविष्कारक थे। उनका जीवन प्रेरक तथा अनुकरणीय है। जब वे अपने व्यवसाय के लिए यात्रा नहीं कर रहे होते थे, तब वे अपनी प्रयोगशाला में किसी-न-किसी नए आविष्कार की खोज में लगे रहते थे | विस्फोट की तकनीक के विकास में अल्फ्रेड ने अग्रणी भूमिका निभाई | इसके अतिरिक्त सिंथेटिक रबड़ और चमड़े तथा नकली रेशम जैसे कई प्रकार के पदार्थ एवं रसायनों को विकसित करने में उनकी उपलब्धि स्मरणीय है | अल्फ्रेड नोबेल का निधन 10 दिसंबर, 1896 को इटली के सैन रेमों में हुआ | जब उनकी वसीयत खोली गई तो हर कोई आश्चर्यचकित था । उन्होंने अपनी सारी संपत्ति को भौतिकी, रसायन, शरीर-क्रिया विज्ञान अथवा औषधि, साहित्य एवं शांति के लिए पुरस्कारों के नाम करने का निर्णय किया था | इसी क्रम में “नोबेल फाउंडेशन” की स्थापना हुई, जो अल्फ्रेड नोबेल द्वारा पुरस्कारों के लिए छोड़ी गई संपत्ति की वित्तीय देखभाल तथा नोबेल पुरस्कारों के वितरण का संयोजन भी करता है | नोबेल पुरस्कार की राशि लगभग सवा सात करोड़ रुपए है । किसी भी व्यक्ति के लिए नोबेल पुरस्कार से सम्मानित होना गर्व और गौरव की बात है | इस पुस्तक में ऐसे ही गौरवशाली भारतीय या भारतवंशियों के कृतित्व का परिचय संकलित है, जिनकी प्रतिभा और योग्यता का विश्वभर में जयघोष हुआ है ।हर भारतीय को गौरवान्वित करनेवाली अनुपम कृति |

विश्व के सबसे बड़े स्वयंसेवी सामाजिक संगठन राष्ट्रीय स्वयंसेवक संघ में आरंभ से ही व्यक्ति विशेष के बजाय उसके कार्य को महत्त्व देने की परंपरा रही है। इसीलिए संघ ने किसी व्यक्ति को नहीं, बल्कि भगवा ध्वज को अपना गुरु माना है। यही कारण है कि सरसंघचालकों द्वारा किए गए कार्यों और उनके जीवन के बारे में बहुत ज्यादा जानकारी सार्वजनिक तौर पर उपलब्ध नहीं है। जानकारी कम होने के कारण लोगों के मन में कई प्रश्न उठते हैं और कही-सुनी बातों पर ही कई धारणाएँ भी बना ली गई हैं, जिनमें से अधिकतर भ्रांतियाँ हैं। मसलन एक धारणा यह है कि संघ में सरसंघचालक के पास सबसे ज्यादा शक्तियाँ होती हैं। लेकिन क्या वाकई यह सच है? अंततः संघ के आज के स्वरूप को गढ़ने में सरसंघचालकों की भूमिका और योगदान क्या है? क्या संघ में सरसंघचालक स्वयंसेवकों को चलाते हैं या स्वयंसेवक सरसंघचालक को चलाते हैं? इन प्रश्नों के उत्तर पाने के लिए पाँच सरसंघचालकों की जीवनयात्रा को समझना होगा। इस यात्रा के माध्यम से ही आप संघ की दीर्घ यात्रा को भी और गहरे से जान पाएँगे।

रामजन्मभूमि' का अर्थ है, भगवान् राम का जन्मस्थान, जो भगवान् विष्णु के अवतार हैं। भगवान् राम का जन्मस्थान उत्तर प्रदेश राज्य के अयोध्या में स्थित है, और हिंदुओं के लिए सबसे पवित्र स्थानों में से एक है। 1528 में बाबर ने अयोध्या के राम मंदिर को ध्वस्त करवाकर वहाँ एक मसजिद जैसे एक ढाँचे का निर्माण करवा दिया। तब से हिंदू इस स्थान को वापस पाने और इस पर राम मंदिर बनाने के लिए निरंतर संघर्षरत रहे हैं। इसके लिए अनेक हिंदुओं ने अपने प्राणों की आहुति दी। 1980 के दशक के मध्य में राम मंदिर निर्माण का आंदोलन पुनः प्रारंभ किया गया था। इसने भारत में एक सांस्कृतिक पुनर्जागरण की नींव रखी और भारतीय राजनीति में भी एक परिणामकारी परिवर्तन का काल प्रारंभ हुआ । रामजन्मभूमि पर राम मंदिर निर्माण के मामले को दुनिया के इतिहास में सबसे लंबी चलनेवाली कानूनी लड़ाई होने का गौरव भी प्राप्त है। इस मामले पर आखिरकार 2019 में भारत के सर्वोच्च न्यायालय ने निर्णय और रामजन्मभूमि पर राम मंदिर के निर्माण का मार्ग प्रशस्त किया। यह पुस्तक 'रामजन्मभूमि' के इन सभी पहलुओं की पड़ताल करती हुई भव्य, उथल-पुथल भरी ऐतिहासिक गाथा के सभी महत्त्वपूर्ण बिंदुओं को एक स्थान पर लाती है। 'रामजन्मभूमि' विषय पर ऐतिहासिक दस्तावेजों, धर्मग्रंथों, उपाख्यानों और दस्तावेजी बहसों से समर्थित यह पुस्तक आपको हजारों वर्षों से अधिक की यात्रा पर ले जाएगी और रामजन्मभूमि की ऐतिहासिकता के साथ-साथ इसके माहात्म्य और गौरव को समझने की दृष्टि भी विकसित करेगी।

Raghavendra Patil (b.1951) belongs to the postmodernist group of writers in Kannada. Like his predecessors, U.R. Anantamurthy, Yahvant Chittal, Tejasvi and Shantinath Desai, he arrived at the novel through the short story. The Chariot (Teru), which won him the Sahitya Akademi Award, is his second novel. Though Patil belongs to the postmodern era, he does not share the thematic concerns or techniques of Western postmodernism. He is closer to the nativistic movement, which has already produced major writers like Chandrasekhar Kambar and Kum. Veerabhadrappa. He has also inherited some of the qualities of his famous uncle Anandakanda, such as an interest in local history and closeness to rural life. The story that Patil tells in The Chariot spans more than a hundred and fifty years, beginning with the years when the Peshva extended his rule to North Karnataka and ending with the years after the Emergency, and it relates to the Belagavi region, with its epicentre in an imagined but fully realised village named Dharamanatti. The novel offers two images of Teru, which in Kannada means both the chariot and the festival associated with it. The first is centred on an atrocious human sacrifice made in the name of religion by an autocratic ruler, and the second, distanced in time by a century and a half, mirrors the change from the feudal order to a democratic one, where religious superstition and feudal practices have been replaced by scepticism and the politics of power. The novel is remarkable for its innovative technique, which handles myth and reality with equal success.

Vinayak, a Sahitya Akademi-award winning Hindi Novel, as a sequel to the author;s first novel 'Gobar Ganesh', according to the novelist, is the "pratismriti" (remembrance of our national-cultural memories) and the katha or narrative of India as a civilizational state. Its multi-perspectiveal, multi-centric kathana (plot), involving characters representing a cross section of Indian Society, is marked by engaging and interesting debates on such issues as gender-politics, culturalimperialism, casteism, communalism, the Kashmir-question and the condition of Kashmiri Pundits, sustainable development, ecological consciouness, swaraj or decolonization of mind, role of "Breaking India" forces comouflaged as NGO-activism, and the all0embracing nature of the spiritual that subsumes the secular, the significance of purusharthas or cardinal principles of life, etc. A sahridaya or cultivaed reader whould also relish how deftly the narrative echoes the voices of such great masters as Valmiki, Vyas, Krishna, Keats, Rike, Yeats, Eliot, Naipaul, Proust, Prasad and others.

Everyone regarded Anna as one of the most remarkable figures produced by Tamil Nadu. His greatness stems from the widespread acclaim he received from prominent leaders of his era. His various talents demonstrate his capabilities as an effective administrator, deep thinker, prolific writer, insightful journalist, and above all, a humanitarian that leaves us in awe of his literary contributions. He observed the living conditions of Tamils during his time and aimed to instigate change through his writing and speeches. Inspired by Periyar's thoughts and pride in Tamil heritage, he emerged as a towering advocate for humanism, dedicated to protecting the Tamil community and working toward their advancement. Anna once referenced influential figures like Shelley, Byron, Keats, Coleridge, Emerson, and Bacon, remarking that they are not foreigners in the truest sense. Is Tiruvalluvar simply a Tamil? They are all global citizens and educators, and Anna holds a similar esteemed position as a worldwide citizen. Anna is recognised as a pioneer in short stories that explore the tension between tradition and modernity. He is a relentless journalist and a guiding light as a dramatist. In addition to being a remarkable orator, his political acumen further defines him as the genius of his century. In summary, Anna is a true phenomenon.

Dr. Geetha Nagabhushana's work primarily focuses on the struggles of the distressed, exploited, and naïve individuals from slums or the lowest strata of the Hindu caste system. Her unique storytelling provides a glimpse into real-life experiences that resonate deeply with us, rather than simply presenting fictional characters. The Kannada dialect used in "Baduku" deserves special recognition for its authenticity and cultural richness. Throughout the novel, the hardships faced by those in the lowest tiers of the Varna system are depicted without any apologies. The portrayal of women's struggles in "Baduku" serves as a critique of patriarchal society. The novel offers a comprehensive view of society, addressing various forms of atrocity and oppression, including issues related to class, caste, and gender, as well as the challenges faced by both urban and rural downtrodden communities. There is no fair treatment found in any of these intersections.

Tanvi realises how the definition of love keeps changing and emotions were the last parameters she considered while deciding her life. As the destiny could play, her best friend dies on the very day of her marriage, and she starts inculpating herself for the misfortune, which leads to a fractured married life. She defies everyone and goes on a road trip to Leh. In the land of lamas she tries to understand life from the lens of spirituality and starts discerning threads of coincidences. The journey helps her to understand ‘Those Unsaid Words’ which cannot be said, cannot be written, cannot be gesticulated; can only be felt.

Prema Jayakumar provides the English translation of S.K. Pottekkar's acclaimed Malayalam novel, ' Oru Deshanthinte Katha, ' published by Sahitya Akademi in 2015. The narrative centres on Sreedharan, a boy from Athiranippadam, portraying villagers' lives through the perspectives of the narrator and other characters. Set during British India, the story begins with Sreedharan's return to his hometown after more than 40 years. He is dropped near a petrol overhead tank on the site of his teenage love's house. He recounts the lives of the residents of Athiranippadam. The novel is segmented into five parts: childhood, early youth, teenage years, and a final section called "marmarangal." It features a story told by Velu Mooper, who witnesses events after Sreedharan's father's death, following his extensive travels to North India, Africa, and Europe. Throughout the story, he encounters individuals who leave lasting impressions from different stages of life, including Emma from Switzerland, a Bengali Babu, his half-brothers Kunhappu and Gopalettan (who caused him suffering by contracting syphilis), the mother goddess psyche of a Tamil Brahmin woman, with whom he longs, a girl who loved him unrequitedly before dying of tuberculosis, pranks with the " Supper Circuit Set, " lost loves, profound loneliness, his father's legendary life, and his journeys across continents. He started by dropping off his widowed mother at her family's home, initially at Elanhippoyil, then heading to Bombay- a solitary voyage into the vast, bewildering world, as SKP describes. This haunting autobiographical novel spans about 60 years of history, reflecting on themes of memory, nostalgia, hardship, dreams, and numbness. It concludes with a monologue: "Forgive me, the representative of the new generation of Athiranippadam, forgive me for trespassing into your land, and consider me merely an antique collector, a non-native!"

Daatu is a powerful novel that explores the rigid boundaries of caste and community in rural India, and what it takes to cross them. Set in Karnataka, the story unfolds around deeply entrenched social structures where identity is dictated by birth, and every step outside those boundaries comes at a cost. At its core, Daatu is about transgression — the act of “crossing over.” Whether it is caste, relationships, or social norms, the novel examines what happens when individuals challenge the invisible lines that define their lives. The narrative is layered with realism, capturing village life with honesty and nuance. It reflects how traditions, power, and fear shape human behaviour, while also revealing moments of resistance, dignity, and change. Recognised as a significant work in Indian literature, Daatu offers readers not just a story, but a lens into the complexities of caste, morality, and social transformation.

Post Box No. 203, Nala Sopara by Chitra Mudgal is an extremely moving, sensitive, urgent novel about the life of a transgender, Vinod is an all-rounder in school, a promising mathematician, in love with a girl, the object of envy by friends. Forceful separation from his family by a gang of hijras pushes him into the darkest dungeons of society. His childhood is destroyed due to the reluctance of his family to disclose his identity to society but he refuses to give up his dreams of living normal life. The novel also projects a beautiful relationship between mother and son. Read on to find what happens to his zeal... a thought-provoking and riveting tale of love, separation, pain, grit, couragem friendship, conspiracy, barbarity and undying hope.

Imprints of Time (Kaalarekhalu) depicts a pivotal period in Telangana history through a compelling fictional narrative. It portrays the region under the oppressive Nizam, ruthless Zamindars, and the violence-causing “Rajakars.” The story emphasises the rise of “Andhramahasabha,” the emergence of communism, and Hyderabad’s integration into India, drawing from memoirs and eyewitness accounts. The narrative traces the lives and struggles of people during the decades following Andhra Pradesh’s formation, highlighting Telangana’s hopes, frustrations, and political awakening. Key Themes - Social-Political Struggle: The novel showcases Telangana’s fight against oppression. - Cultural History: It details Telangana’s socio-cultural development. - Individual vs. Society: Like Naveen’s other works, it examines characters’ psychology amid social transformation. Strengths - Authenticity: As an autobiographical novel, it provides a raw perspective on the struggles of the oppressed. - Unique Style: Naveen’s distinctive, experimental storytelling immerses readers in the era. - Historical Significance: It is an important addition to modern Telugu literature, recording a crucial historical period.

To my knowledge, it is difficult to find another contemporary literary work that so comprehensively captures the vanities of today's globalised world, the arrogant sound of technology, and the limitless possibilities of rebirth hidden in this death-like state. - H.S. Shivaprakash Shikharasoorya is the 'bhashya' or 'teeku' written by Prof. Chandrasekhara Kambara about his time and space. It is not only because this novel is the epitome of the search for the primordial truths of human life and civilisation, but also because it experiments with the forms of literature itself. - M.S. Ashadevi Shikharasoorya is a novel that can easily be placed among the best works in global literature today. - Krishna Manavalli Chandrasekhara Kambara is a Kannada poet, playwright, folklorist, film director, and the founder-vice-chancellor of Kannada University in Hampi. Kambara is undoubtedly a cultural phenomenon of modern India. He has been conferred with many prestigious awards, including the Jnanpith Award, Sahitya Akademi Award, Sangeet Nataka Akademi Award, Padma Shri, and Kabir Samman. Laxmi Chandrashekar: An acclaimed translator, Laxmi has translated several short stories, poems, and plays from Kannada into English, including her own solo scripts. Her translation of Dr. Kambara's novel 'Singarevva and the Palace' has been published by Katha, New Delhi, and Peak Publishers, UK. She has also won several State and National awards for her translations and her contribution to theatre. English translation of the Kannada classic by Chandrasekhara Kambara by Lakshmi Chandrasekhar, Sahitya Akademi Award 2017

Jatara is a novella (1988) that deals with the predicament of women in the countryside. It graphically captures the realities of the village society in Telangana as major and minor characters come alive. The writer presents the theme of corruption in all its stark dimensions-physical and moral degradation, psychological and emotional blackmail, and surrender to superstitions and deceit from the point of view of the protagonist. The author remains objective, a bystander, in focusing on the bright and dark sides of the rural society, on interpersonal relations, and their belief systems, while subtly suggesting what was needed. For its humanist vision and gripping narrative, the novella remains a classic in Telugu fiction.

She was born in Kolkata. She was an unwelcomed guest, a product of lust. She had to pay the price. She was abducted and trafficked to Hyderabad. She spent nine years begging on the roadside. Destiny brought her back to Kolkata, where she was sold off to a procuress in Sonargachi. She married Raghu and started leading a healthy life. However, she attempted suicide. She was Ketaki. Why was Ketaki abducted and trafficked? Where were her father and mother? Was Ketaki ever able to meet her birth parents? Why did she attempt suicide? Was it all destiny that brought her back to Kolkata, or did The Almighty have something else in His holy mind? After all, Joys and Woes are always woven fine!!