Death is a taboo in most societies in the world. But what if we have got this completely wrong? What if death was not the catastrophe it is made out to be but an essential aspect of life, rife with spiritual possibilities for transcendence? For the first time, someone is saying just that. In this unique treatise-like exposition, Sadhguru dwells extensively upon his inner experience as he expounds on the more profound aspects of death that are rarely spoken about. From a practical standpoint, he elaborates on what preparations one can make for one’s death, how best we can assist someone who is dying and how we can continue to support their journey even after death. Whether a believer or not, a devotee or an agnostic, an accomplished seeker or a simpleton, this is truly a book for all those who shall die!

Wanderlust and the desire to know the land and society more had been fueling my wish to visit Kailas. There were many curiosities. All our major rivers have their source in the region. The largest reservoir of fresh water on earth is situated there. The celestial swans are found there. I recall that how in my childhood, my Grandmother used to describe Kailas as being akin to a dreamland. According to her, Shri Krishna has said in the Gita – Meruru shikhirinamaham – ‘Among mountains I am Kailas!’ It was Sage Mandhata who first set foot on this sacred soil. Adi Shankaracharya shed his mortal body here. Guru Nanak meditated here and Swaminarayana, the founder of the sect that bears his name, saw the vision of god here. The Ramayana and the Mahabharata mention Kailas. This is where Ravana had worshipped Lord Shiva. He wanted to take Kailas with him. Shiva guilefully dissuaded him from doing so. Arjuna performed penance here and received the Pashupata Astra from Shiva. Yudhishthir proceeded heavenwards via this route. One by one, all the family members fell by the roadside; only the faithful dog kept company. Bhasmasur, the Rakshas, a devotee of Shiva was reduced to cinders here. Today the dark shadow of civilisation has begun to fall even on Mansarovar. This lake is shrinking. The sacred water body, that once stretched across 410 square kilometres, is now shrunk to only 10 square kilometres. Consider this the rage of Nature. Had Kalidasa been alive, he would have been deeply saddened to see his beloved Himalaya in this state. Is it the same Himalaya that is described in Raghuvamsham and Kumar Sambhavam? Civilisation has reached a point where the divine dimensions of Himalaya are disturbed.

The opportunity of service of Sai Baba came into my life as a divine blessing. As a result, my life was completely transformed. Earlier, I rarely visited Shirdi. During this Period, I visited no other Place but Shirdi. I did not think about Sai Baba very often before. During this period, I thought about nothing other than sai. My feet would always yearn to go to Shirdi

This might come as a surprise to many readers. But, this is indeed the very first book on Magh Mela. As of now, the only book relevant to Magh Mela that is available in the market is a reproduction of the chapter on Magh Mahatmaya appearing in Padma Purana. But, that is purely mythological in content and does not deal with many aspects of the Magh Mela as it plays out in Allahabad. Everybody has heard of Kumbh Mela. But, how many of us have heard of Magh Mela? Does it surprise you to learn that Kumbh Mela is nothing but Magh Mela that is celebrated every twelfth year and Ardh Kumbh is nothing but the sixth Magh Mela celebrated between two Kumbh Melas? In other words, a mini version of the Kumbh Mela is celebrated in Allahabad year after year in the form of Magh Mela which goes almost unnoticed and unreported outside of Allahabad and Uttar Pradesh. Magh Mela is an incredible annual phenomenon in Allahabad (Prayag) from time immemorial. It is a monthlong Hindu festival that is celebrated in the month of Magh at Sangam or the confluence of rivers Ganga, Yamuna and the mythical river Saraswati. Magh Mela is marked by (snan) ritual bathing and taking up temporary residence near Sangam in the month Magh and leading an austere life devoted to prayers and rituals (kalpavas) according to their vows. The month of Magh begins with Paush Purnima and ends with Magh Purnima. But, the Magh Mela begins on Makkar Sankranti or Paush Purnima (whichever is earlier) and ends with Maha Shivaratri because of administrative reasons. Lord Vishnu is the presiding deity of Allahabad as well as the month of Magh which is considered to be the most auspicious month for Hindus. Allahabad is also known as Tirthraj Prayag. In other words, Allahabad is the king of pilgrimage sites for Hindus. Separate chapters are devoted to the most auspicious months of the Hindu calendar in the Puranas in the form of Vaishak Mahatmaya, Kartik Mahatmaya and Magh Mahatmaya explaining the significance of each month. The most important ritual for Vaishak is charity (daan). Similarly, the main ritual for Kartik is offerings in the form of earthen lamps (deep daan); and, the main ritual for Magh is ritual bathing (snan). Therefore, Magh Mela is essentially a bathing festival coupled with kalpavas. And, Tirthraj Prayag is the sacred land that has been designated for Magh Mela by Hindu scriptures. That is the secret of Magh Mela.

DHARMA and RELIGION are altogether different conceptions. Even as per the Oxford dictionary, ‘DHARMA’ means “eternal law of Universe” whereas ‘RELIGION’ means “a particular way of worship and faith.” All of these rules, laws etc. [pertaining to Dharma] have been observed, understood and realised by the people known as Hindu and hence Dharma is known as Hindu Dharma. However, these rules-laws etc. are applicable to every human being (Manav) all over the world (Vishwa), not confined only to Hindus. Hence, Hindu Dharma is Manav Dharma or Vishwa Dharma – the global ethics applicable to the entire humankind. If we look at the things which are considered as very sacred/pious in Hindu Dharma, it can be seen that each one of them possesses special qualities which are quite unique and useful for humankind. The Hindu Sanskriti has a special feature of wishing the well-being of ALL human beings (not just Hindus).

Prepare to be captivated by a story that transcends time, evoking a tapestry of emotions-from the heart-wrenching struggles of the past to the empowering triumphs of the present. 'Devi' is a celebration of resilience-a reminder of the power of women to create, nurture, and transform the world around them; not just a tale of survival. 'Devi' beautifully explores the sacred symbolism of water, from the confluence at Prayagraj to the sacred Ghats of Kashi, Triveni Sangam to Manikarnika, with the Ganges taking centre-stage, reverberating through the ages as a mother, a goddess, and a spiritual archetype. 'Devi' delves deeply into the teachings of the revered texts-the Vedas, Upanishads, Bhagavad Gita, and Shastras that shape the moral fabric of society. In the heart of Odisha's remote Sambalpur, set against the backdrop of the pandemic-stricken year of 2020, a profound narrative unfolds a journey that weaves together the threads of history, and the indomitable spirit of five generations of mothers and daughters, rendering the Navadurga : Shailaputri, Brahmacharini, Chandraghanta, Kushmanda, Skandamata, Katyayani, Kalaratri, Mahagauri, and Siddhidatri.

Arriving running, he extended his hand to pull out the arrow from the leg. Krishna raised his hand in objection… Jaraa said, “Why? O Lord, Why?” “Let it be, brother..! Do not attempt to make Mother Gaandhaari’s words go in vain..!” Krishna replied in a very steady tone. “I have committed a great sin. Please forgive me, O Lord..! Thinking that you were a jungle animal….I…. shot an arrow at you. Jaraa started moaning in a piteous voice. “Get up, son..!” Krishna said. “What is your name?” “My…my..name is Jaraa..!” “Jaraa..! OK..!” Your name is also significant, son..! Jaraa means old age; it never ever leaves anyone! You are merely an instrument, son..!” There is no Indian language in which poetry, stories, novels, drama, reference books, and other genres of literature have not been created, with Krishna as the centre point. The novel “Shyam fir ek baar tum mil jaate” (original Gujarati) is an Upanishadic novel. During the prevailing Aryavart, Krishna was an imposing personage. When this personage dissolved in the deadly silence that had overcast, this is a written display of the shriek of ‘that-silence’. When Krishna was in front, it was a different matter. This novel takes the confused state of mind of the characters—beginning with Vasudev Devaki, Akroor, Uddhav, and Radha— to an unprecedented height, when Krishna dissolved.

"Philosophy of Hinduism is a profound and critical analysis by Dr. B.R. Ambedkar that examines the foundations and philosophical underpinnings of Hinduism. Written with an intent to investigate the principles of justice, equality and morality within Hindu religious and social doctrines, the book delves into key concepts of Hindu philosophy, such as the idea of karma, dharma and the caste system. Waiting for a Visa is a powerful and eye-opening work by Dr. B.R. Ambedkar, one of India's foremost social reformers and the chief architect of the Indian Constitution. Written in 1935-36, this autobiographical account is a collection of personal and real-life incidents that expose the harsh realities of caste discrimination faced by Ambedkar and other Dalits in the Pre-independent India."

The Prophet is one of the most beloved classics of our time. This is a collection of poetic essays that are philosophical, spiritual, and, above all, inspirational. Khalil Gibran was a Lebanese-American writer, poet, and visual artist. Gibran's simple and direct style was a revelation and an inspiration.

Swami Vivekananda was an Indian Hindu monk, a chief disciple of the 19th-century Indian mystic Ramakrishna. He was a key figure in the introduction of the Indian philosophies of Vedanta and Yoga to the Western world and is credited with raising interfaith awareness. Swamiji has been an awe-inspiring persona for many people and this book continues the legacy of his ideas and philosophies. This book is a one-of-a-kind condensed version of Swamiji’s life and principles, For every reader; this compilation would mean an enriching and learning experience. May his quotes inspire you to believe in yourself so that you may live your dream

"The Buddha and His Dhamma is Dr. B.R. Ambedkar's final and perhaps most spiritually significant work, offering a detailed exploration of the life, teachings and philosophy of Gautama Buddha. First published in 1957, this book serves as a foundational text for the Navayana or Neo-Buddhist movement, which Ambedkar initiated to promote a version of Buddhism rooted in social justice, equality and compassion. In this work, Ambedkar reinterprets the teachings of the Buddha to emphasise principles of rationalism, ethical living, and human dignity, critiquing traditional religious practices that, in his view, perpetuate superstition and social inequality. He presents the Buddha as a revolutionary figure whose teachings directly oppose caste-based discrimination and advocate for a moral code that transcends ritualistic practices."

Lord Ram’s life and exploration is so popular that the story has been translated in many languages and versions of Ramcharitmanas. It has a historical enigma, spiritual aura and moral ideals. It’s a treasure of deep inside education, views and unparalleled virtues of righteousness. Many Ram devotees in India could recite the complete verses of the holy book.

Treasures of Lakshmi is the culmination of the much-loved goddess series, brilliantly curated and edited by Namita Gokhale and Malashri Lal. This trilogy, which began with In Search of Sita and continued with Finding Radha, examines the mystical realms of Hindu thought and practice, celebrating the essence of the sacred feminine. Whether it is Lakshmi’s 108 names or a sahasranama of a thousand appellations, her blessings are multidimensional and eternal. as the third and final instalment of this remarkable trilogy, Treasures of Lakshmi takes readers on a unique journey of exploration, unravelling the compelling narrative of ‘the goddess who gives’.

It's one of the oldest books in the world and India's biggest blockbuster bestseller! - But isn't it meant only for religious old people? - But isn't it very long... and, erm, super difficult to read? - But isn't the stuff it talks about way too complex for regular folks to understand? Prepare to be surprised. Roopa Pai's spirited, one-of-a-kind retelling of the epic conversation between Pandava prince Arjuna and his mentor and friend Krishna busts these and other such myths about the Bhagavad Gita. Lucid, thought-provoking and brimming with fun trivia, this book will stay with you long after you have turned the last page.

Lord Krishna’s deities in temples serve as a channel through which the Divine can be better understood and perceived. In fact, the deities themselves can exhibit what some would call miracles in the way they reveal how the Divine accepts the form of deity. This is one process through which Krishna reveals himself and the reality of his existence. Stories of such miracles extend across the ages to the present. This book relates a range of these events to show how the images in the temples have manifested their character in various ways in their pastimes with their devotees, whether by developing their devotion, instructing them, or simply giving them His kindness, mercy, and inspiration. This book will give deeper insight into the unlimited personality and causeless benevolence of the Supreme, especially to those who become devoted to Him. In addition to presenting accounts of reciprocity, this book offers a rational and systematic explanation of the antiquity of devotion to the deity, scriptural references to deity veneration, and information on historical sites associated with Krishna deities.

Siddhartha: An Indian Tale is a novel by Hermann Hesse. The theme of the novel is the search for self-realization by a young Brahman, Siddhartha. Realizing the contradictions between reality and what he has been taught, he abandons his comfortable life to wander. His goal is to find the serenity that will enable him to defeat fear and to experience with equanimity the contrasts of life, including joy and sorrow, life and death.

The childhood stories of Lord Krishna attract children a lot. The book stores the captivating world of village, river, forest, mountain, cow and cowherd. There are games, friendship, admiration, fears and courage. This world seems to be an extension of children's imagination in this book.

The birth of Shri Ram, his childhood pastimes, the universe in his stomach. Such stories are told in this book with simple language and beautiful illustrations.

This book depicts Lord Rama's sacrifice, dedication as well as love and respect for everyone. Ramayana has been presented in a simple form keeping in mind the nature of children. Our little readers will be able to easily understand the meaning and spirit of the story.

Many of us think that Bhakti is discovering our Iśţa Devatā—chosen deity — and getting involved in ritualistic worship, visiting places of pilgrimage, and observing vigils and fasts. And we are not really very far from the truth. While Bhakti does recommend these activities for its practice, they are not its only activities, but something more, much more. The core of Bhakti is Love— a feeling of oneness. Though it does start with the IśţaDevatā, the feeling of oneness does not stop there, but keeps expanding till one starts feeling one with this whole Existence. The life of Saṅt Jñāneśwar, also known as Saṅt Jñānadev, and his three saintly siblings, Nivŗttināth, Sopāndev, and Muktābāi, of the late thirteenth century forms a perfect background for understanding and practising this wonderful path of Love. Though born in the community of Brahmins, they were ostracised from society and persecuted. For their tender age, they exhibited indomitable grit not only to bear the tribulations willingly but also to transform the negative feelings instilled by society into divine emotions of compassion and boundless love. This book seeks to present the story of such a transformation through the events and encounters they had with their persecutors, the masses, and contemporary seekers and saints. It tries to narrate the art of regaining the simplicity, faith, forgiveness, compassion and love that live in every heart.