Even a small and ugly-looking hedgehog is an important creature created by God for some useful purpose. The lion learns this lesson in this fascinating story.

“Colourful pictures that will catch your eye and create an impatience in you to turn the page to read more.” — The Hindu Winner of FICCI Publishing Awards 2019 in the Children’s Book of The Year category Shortlisted in the picture book category of Neev Book Awards 2019

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Monkeys jump! Monkeys grab! People run – what a mess! The city of Varanasi has a BIG monkey problem, and no one knows what to do. Then Dum-dum-a-dum-dum! The damroo man comes up with a clever idea. He has a special trick...and a special treat. For the monkeys and for you too!

Zai’s uncle is the famous 'birdman of India' Salim Ali, everyone in her family is a birding expert, and she herself can’t so much as identify the pipit sitting right under her nose. In this delightful portrait of childhood, Zai Whitaker recounts her early birding woes and how she winged it. Prabha Mallya’s pictures pick up the humour, and are an arresting collage of a bird-filled Bombay of the past, and a troubled little girl with a ‘superstar’ uncle!

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Playtime on the terrace takes a turn when a strong wind sweeps Chhotu off his feet and carries him up and away to the clouds and the birds! The light and lively illustrations whirl us to the sky and back.

There is a BIG monster that only Montu can see, that shows up whenever he’s angry or sad, and makes him even more angry, even more sad. One day, when he hurts his leg and is stuck at home, he starts to draw. He draws the window, the tree outside and… the monster! But as he keeps drawing, the monster gets smaller and smaller. What’s happening? Pictures and text gently tell this story of a boy who learns to deal with his inner demons, illustrating how art can heal.

Ilham has a problem. Her Papa has given her a crisp fifty rupee note for her birthday, and she doesn’t know where to keep it absolutely safe. A pocket would be best, but her new frock doesn’t have one. So she runs to Salma Chachi the tailor to get a pocket stitched — but that leads to another problem. A charming little nugget of a story with the flavour of old Hyderabad captured warmly in the pictures!

If Thambi had a tail, he would wag it to show he was happy, he would swish away flies, he would even swim. What else would he do? This beginner reader is part of the Thumb Thumb Books series, created around the common thumbprint and featuring Thumb Thumb Thangi and Thumb Thumb Thambi. Short sentences, bold type and vibrant visuals make entry into reading easy and exciting. At the end is a page for children to make their own thumbprint drawings – and the line ‘I can read this book’ affirms the young reader’s confident place in the word of books.

Why is a red munia red? Why does a bullfrog turn yellow? How does a painted stork get its pink colour? Why do some mushrooms glow in the dark? Why do purple sunbirds shine? And why do most mammals come in different shades of brown? Books on Environment, Wildlife, Communities, Conservation... This magnificently illustrated book explores the hows and whys of colours in the natural world.

THE MIDDLE is the story of Azma's journey from being an insatiable reader to becoming a contemplative writer. And through the course of this restless quest, she fights, in her head, the dark, formidable demons of taunting part-truths. Eva Sanchez Gomez creates a visual world which is at once intense and menacing, as it is calming and quieting. Richa Jha's lyrical text brings out Azma's disquiet within and the unease outside. Together, they have birthed a book that is an achingly beautiful tribute to any soul-searching creative process.

The book traces the life and legacy of Ustaad Bismillah Khan, the shehnai maestro and symbol of a plural India. He was born to Paigambar Baksh Khan and Mitthan Khan in Dumraon on 21st March 1916. He was honoured with several awards, including the Bharat Ratna, Padma Shri, Padma Bhushan, and Padma Vibhushan, for his contribution to Indian Classical music. He devoted his life to the shehnai, taking it to an international platform.

Holi Ki Ghujhiya

Meet Mayil Ganeshan, a young writer at Not Yet Sixteen who is fiercely fun, madly morose, and prone to spontaneous combustion. Mayil is back, and this time she is edgier, bolder, and older. Known as the unstoppable 'Mayilwriter,' she rants in rhyme, ponders in verse, and doodles in between. Though she experiences moments of clarity, Mayil also deals with anger, confusion, and self-doubt. Nevertheless, she keeps her chin up and vows to never put her pen down. Age 13+

Yasmin’s home is a tin box, burning hot in summer and freezing cold in winter. But Dubki, her stray dog friend, has no home at all. How unfair! So Yasmin decides to build one for Dubki, just like she has seen her Ammi and Abbu build for others. A heart-tugging story on a child’s idea of home, centred round a family of migrant workers who construct big houses while living in hovels themselves, displaced and longing for their own home far away. Told in the voice of little Yasmin, it speaks straight to the child reader. Illustrations evoke a gentle glow of joy and hope.

Coming Home is a story set in a beautiful valley where a small community of farmers and their families live and work. Over the years, many of the young people have begun to migrate to earn a living. Everyone wishes there was a way in which these young people could stay back and earn a living right here. It’s a young boy, Selva, who has an idea which could do just that. But will it take shape and will it bring his older brother home? Read the book to find out just how a small idea can lead to big changes. Written by Priti David, this is a story about migration and home, seen from the eyes of 11-year-old Selva. age 10- 15 years

It’s Monday morning. Time for school. And his model of the earth…? Chintu Chitnis suddenly remembers he hasn’t made it! There’s a last-minute scramble to finish the project, with his little sister Pihu pitching in not very helpfully. And then, in school, Chintu finds an entire continent missing! Where did it go? Set in a Konkani household, this light and humorous story with playful pictures is a quick first introduction to the continents of the world.

A collection of Japanese folktales translated from the Japanese by Hema Pande and illustrations by Arup Gupta.

Amidst jhamak-tamak sunsets and groves of Malgova mangoes, whirling winds and growling thunderheads, maxi taxis and leafy forests, meet a remarkable cast of two- and four-legged characters in 15 entertaining stories meant to be read aloud. Written in prose and verse by a list of well-known writers, all are rich with sound, rhythm and repetition, slipping comfortably into local language where natural. Ashok Rajagopalan's illustrations add fun and energy in his inimitable style.