मेरी बफ़ेट और डेविड क्लार्क ने वॉरेन बफ़ेट की गणनाओं का विवरण इतने स्पष्ट रूप से प्रस्तुत किया है कि यह नए लोगों और अनुभवी निवेशकों—दोनों को पसंद आएगा। बफ़ेट के गुरु, बेंजामिन ग्राहम के सिद्धांतों से प्रेरित होकर लिखी गई यह पुस्तक बफ़ेट निवेशन के सिद्धांतों के अनुप्रयोग के साथ विविध विवरणों की बफ़ेट की व्याख्या प्रस्तुत करती है।

‘यकीनन यह पुस्तक व्यवसाय जगत की एक लघु मार्गदर्शिका बनेगी, जिससे निवेशक और प्रबंधक बारंबार मार्गदर्शन लेंगे।’ टिमोथी विक, हाउ टु पिक स्टॉक्स लाइक वॅारेन बफ़ेट के लेखक प्राचीन चीनी दार्शनिक लाओ-त्सू की सूक्तियों की तरह वॅारेन बफ़ेट की सांसारिक बुद्धिमत्ता भी आश्चर्यजनक रूप से सरल है और इस पर अमल करने से शक्तिशाली परिणाम मिलते हैं।

Parva is a novel written by S. L. Bhyrappa in the Kannada language. It is a retelling of the Sanskrit epic Mahabharata, narrated through the personal reflections of the principal characters. The novel is widely acclaimed as a modern classic. Parva is among Bhyrappa's most widely debated and popular works and is considered by many to be his greatest.

It’s late at night. Tipu is fast asleep when his two black puppies, Layla and Jugnoo, bound into his room. Down comes his star-filled quilt – and it becomes a cosmic playground for the three of them. Anything is possible, even flying to the moon! With illustrations that reflect the blending of reality and fantasy, this is a story about the sheer joy of imagination, and the wonder of play.

Dhum Dhum Dhum… dhup dhup dhup… Dungi dances to a dhinchak beat in this foot-tapping story that will make young readers move and groove, clap and tap! Big sheep, small sheep, bored sheep, happy sheep… eye-catching visuals bring to life the dance and drama in a woolly world.

Boodabim floats in the sky, he swims in the ocean and he simply glows in stripes! Who is he? A cloud? A fish? A tiger? Boodabim can be anything he wants to be! Minimal text and rollicking illustrations make this a most endearing book for little ones.

Rain can be fun. But sometimes, “lots and lots and lots of rain” is frightening — when water comes into homes and washes everything away. Floods and other natural calamities do happen, children do get caught in them, and other children see it all on television. How do they make sense of it? The book talks to children through rhythmic, repetitive text and evocative visuals, ending with the important reminder that if you look after nature, nature will look after you. It enables conversations that can heal and empower.

Ilham has a problem. Her Papa has given her a crisp fifty rupee note for her birthday, and she doesn’t know where to keep it absolutely safe. A pocket would be best, but her new frock doesn’t have one. So she runs to Salma Chachi the tailor to get a pocket stitched — but that leads to another problem. A charming little nugget of a story with the flavour of old Hyderabad captured warmly in the pictures!

There is a BIG monster that only Montu can see, that shows up whenever he’s angry or sad, and makes him even more angry, even more sad. One day, when he hurts his leg and is stuck at home, he starts to draw. He draws the window, the tree outside and… the monster! But as he keeps drawing, the monster gets smaller and smaller. What’s happening? Pictures and text gently tell this story of a boy who learns to deal with his inner demons, illustrating how art can heal.

Moyna lives in a little tribal village. She cannot go to school because she has to tend goats, collect firewood, fetch water… But she is so full of questions that the postmaster calls her the ‘why-why girl'! In this inspiring and delightful story, her first picture book, acclaimed Jnanpith award-winning writer Mahasweta Devi tells us how she meets Moyna (and her mongoose) and helps her find answers to all the why-whys – in books, that Moyna herself learns to read. Some of the translations have been done by well-known writers: Malayalam by Paul Zacharia, Tamil by Ambai, and Kannada by Girish Karnad. CBSE recommended

ബാബ എവിടെ? എന്തുകൊണ്ടാണ് അദ്ദേഹം ഇതുവരെ തിരിച്ചെത്താത്തത്? വൈകുന്നേരം അസ്തമിക്കുമ്പോൾ ജുപ്ലി അസ്വസ്ഥയാണ്. അവളുടെ അച്ഛൻ തേൻ ശേഖരിക്കാൻ ഇടതൂർന്ന കാട്ടിലേക്ക് പോയിരിക്കുന്നു, അവൾ ഭയപ്പെടുന്നു. കാരണം കാട്ടിൽ കടുവകളുണ്ട്. കാരണം ആളുകൾ ചിലപ്പോൾ അകത്തേക്ക് പോകും, ഒരിക്കലും പുറത്തുവരില്ല. ബാബ എല്ലാ ദിവസവും അപകടത്തിൽ പെടേണ്ടതുണ്ടോ? ജുപ്ലിക്ക് ഒരു ആശയമുണ്ട് - തേൻ പെട്ടികൾ! തേൻ ശേഖരിക്കുന്നവരുടെ ദുരവസ്ഥയിലേക്ക് വിരൽ ചൂണ്ടുന്ന ഒരു കഥയിൽ, മനോഹാരിത നിറഞ്ഞ ചിത്രങ്ങളും വാചകങ്ങളും ജുപ്ലിയുടെ നിരന്തരമായ ഉത്കണ്ഠയെ മനോഹരമായ സുന്ദർബനിലേക്ക് വലിച്ചെറിയുന്നു.

Thom! It lands on Kuttan’s toes. Dheem! He kicks and up it goes. The pages of this book resound with the rhythm of dance as Abu's big red ball bounces in tune with the delightful illustrations. CBSE recommended

Little Tsomo eats a big, steaming hot momo. And then? A mouthwatering story in which the flavour-filled savoury comes appetisingly alive! Watercolour pencil illustrations softened with subtle brushstrokes conjure up scenes sure to tickle the taste buds, satisfy hunger pangs and stir up a song.

After a school trip to the zoo, Amma is surprised that Meera has seen no animals – not a monkey, a lion, or even a giraffe... But why did Meera see no animals there? Her lively mother forgets to ask! Zestful pictures capture the hilarious inversion of role play.

Muthu’s constant companion is a rooster called Goondi. But her grandfather tells her not to get too attached to Goondi, since he belongs to Selvi Paati. And the village head wants to buy him for his son’s wedding feast… Muthu can’t bear the thought! So, she makes her move and Thatha makes his, in this tender story about what a dear friend is worth. Pictures add richness and depth to this layered narrative set in an Irula fishing village in Tamil Nadu. Their varying tones and textures capture the setting, the people and the moments.

It’s the day of the local market in Malli’s village. Cotton candy, peanut balls, stick ice, rose soda – there’s so much for Malli and her friends to try! But some of them don’t have enough money. Then, Malli has an idea… Friendship and sharing are at the heart of this third book in the Malli series, with pictures that take you around a village in Tamil Nadu and into the bustle of a market filled with treats.

Yak yak yak... the tortoise loves to talk – and learns the hard way that keeping his mouth shut is sometimes very necessary! The clipped narrative style pares the original fable from the Panchatantra down to its essence with dramatic effect in this bilingual retelling. It is offset by decorative, detailed illustrations in the style of kalamkari textiles from Andhra Pradesh.

discriptation awaited

It’s a hot, hot day. Shouting people, thirsty puppies, honking cars – everyone is rushing to get away from the heat, except for one big cow… How will they all cool off? Crisp text, and furiously frantic illustrations, capture the chaos and cacophony of a scorching summer day.

It’s Monday morning. Time for school. And his model of the earth…? Chintu Chitnis suddenly remembers he hasn’t made it! There’s a last-minute scramble to finish the project, with his little sister Pihu pitching in not very helpfully. And then, in school, Chintu finds an entire continent missing! Where did it go? Set in a Konkani household, this light and humorous story with playful pictures is a quick first introduction to the continents of the world.