The King of Rimes

(1)

Author:

Ziad Dib Jreige

Language:

English

Category:

Poetry

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After being born as dawn unto his own self, the Lebanese Nightingale sings again, this time with a more vibrant and echoing voice. “The King of Rimes” is merely a mixture of the poet’s self-worth and his experimental literary perspectives speaking to the core of life and death. Including the first thirty sonnets following the Shakespearean model, and many more selected poems and quotes, this book is both an expression and a work of art.

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ISBN
978-93-90882-74-8
Pages
78
Avg Reading Time
3 hrs
Age
0-11 yrs
Country of Origin
Lebanon

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About the Book

After being born as dawn unto his own self, the Lebanese Nightingale sings again, this time with a more vibrant and echoing voice.

“The King of Rimes” is merely a mixture of the poet’s self-worth and his experimental literary perspectives speaking to the core of life and death.

Including the first thirty sonnets following the Shakespearean model, and many more selected poems and quotes, this book is both an expression and a work of art.

Book Details

  • ISBN
    978-93-90882-74-8
  • Pages
    78
  • Avg Reading Time
    3 hrs
  • Age
    0-11 yrs
  • Country of Origin
    Lebanon

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Customer Reviews

(1)

5 out of 5

Book

100%

03/04/2023

Sweta K

The King of Rimes" by Ziad Dib Jreige is a collection of sonnets and poems The book is a beautiful exploration of love, nature, and the human experience. The author has an incredible command of language and a unique ability to express complex emotions and ideas through his poetry. The author's attention to detail and his willingness to experiment with different poetic forms make each poem a joy to read. Overall, "The King of Rimes" is a wonderful collection of poetry that showcases Ziad Dib Jreige's considerable talent as a poet. It's a great read for anyone who loves poetry, particularly those who appreciate the sonnet form.

The King of Rimes announces itself as the work of a poet who inhabits two traditions at once — the Shakespearean sonnet's rigorous fourteen-line architecture and the experimental impulse of a Lebanese voice writing in English for Indian readers. The collection opens with thirty sonnets that follow the English model precisely: three quatrains and a closing couplet, meter as scaffold, rhyme as pulse. Yet the subjects these forms hold — self-worth, the oscillation between life and death, the poet's simultaneous birth and witnessing — press against that classical containment. Beyond the sonnets, the book gathers shorter poems and aphoristic lines, each a fragment of what the poet calls "experimental literary perspectives." This is not verse that seeks to comfort or charm; it seeks to speak to the core, to make the reader feel the weight of each chosen word. For readers drawn to formal poetry that does not retreat into nostalgia, this collection offers a singular fusion of discipline and daring.

What kind of reading experience will The King of Rimes give me?

This collection demands concentration and rewards patience. The thirty Shakespearean sonnets move with deliberate rhythm, their meter creating a hypnotic pulse that slows the reader into contemplation. The tone is introspective and occasionally solemn, circling themes of mortality and self-discovery without offering easy resolution. Beyond the sonnets, the shorter poems and quotes shift into sharper, more experimental fragments — voice becomes aphorism, thought becomes image. The experience is not immersive in a narrative sense; it is meditative, asking you to sit with each poem as a discrete meditation rather than rush toward conclusion. Readers who value formal discipline married to philosophical ambition will find this collection lingers in the mind long after the page is turned.

Who is this book best suited for and what does it expect of its reader?

  • Readers who already appreciate Shakespearean sonnets and want to see the form inhabited by a contemporary, non-English cultural voice.
  • Poetry students exploring how classical English forms translate across geographies and identities.
  • Readers drawn to philosophical verse that prioritizes depth and abstraction over narrative or lyric prettiness.
  • Those comfortable with experimental structures in the shorter poems — fragmented syntax, aphoristic compression — that follow the more structured sonnets.
  • Anyone seeking poetry that treats life and death not as metaphors but as lived inquiries, questions the poet revisits without pretending to answer.

What is the cultural significance of a Lebanese poet writing Shakespearean sonnets in English for Indian readers?

The collection embodies a postcolonial literary reality: English as a medium shared across former colonies and diasporic communities, no longer tethered to England itself. A Lebanese poet adopting the Shakespearean sonnet in India speaks to how classical forms have become global tools, reinterpreted by voices Shakespeare never imagined. For Indian readers, this resonates with their own complex relationship to English — a language of education, power, and creative possibility. The book also affirms that experimentation need not mean abandoning tradition; one can honour the sonnet's architecture while filling it with perspectives born from entirely different histories. In contemporary India, where multilingual poets constantly negotiate form and identity, The King of Rimes models how to claim a tradition without submitting to its origins.

What makes this poet's approach to the Shakespearean sonnet distinctive?

While many contemporary poets treat the Shakespearean sonnet as a nostalgic exercise or a constraint to subvert, this poet uses it as a philosophical container — a space where abstract questions about selfhood and mortality can be held under formal pressure. The voice is not confessional in the contemporary lyric sense; it is oracular, distanced, addressing "the core of life and death" as a subject rather than a personal crisis. The diction avoids the archaic flourishes some sonnet-writers indulge in, yet it also resists the flat conversational tone of much modern verse. The result is a middle register — elevated but not ornate, serious without self-importance. The inclusion of aphoristic quotes alongside the sonnets suggests the poet sees form not as an end but as one mode among many for arriving at truth.

What does this book leave the reader with after finishing it?

  • A renewed respect for the discipline of form — how meter and rhyme can slow thought, deepen it, make it resonant rather than merely clever.
  • A sense of poetry as philosophical inquiry rather than emotional catharsis; these poems think aloud, they do not confess or perform feeling.
  • Awareness that classical English forms are no longer owned by any single culture — they are sites of ongoing negotiation, reinterpretation, and sometimes defiance.
  • Curiosity about the poet's identity as the "Lebanese Nightingale" — a figure who claims both tradition and experiment, both voice and silence.
  • A quiet unease, perhaps, at how little the poems resolve; they leave questions suspended, inviting the reader to continue the inquiry long after the book closes.

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