उन पंद्रह दिनों के प्रत्येक चरित्र का, प्रत्येक पात्र का भविष्य भिन्न था! उन पंद्रह दिनों ने हमें बहुत कुछ सिखाया। माउंटबेटन के कहने पर स्वतंत्र भारत में यूनियन जैक फहराने के लिए तैयार नेहरू हमने देखे। लाहौर अगर मर रहा है, तो आप भी उसके साथ मौत का सामना करो'' ऐसा जब गांधीजी लाहौर में कह रहे थे, तब राजा दाहिर की प्रेरणा जगाकर, हिम्मत के साथ, संगठित होकर जीने का सूत्र' उनसे मात्र 800 मील की दूरी पर, उसी दिन, उसी समय, राष्ट्रीय स्वयंसेवक संघ के प्रमुख श्रीगुरुजी' हैदराबाद (सिंध) में बता रहे थे। कांग्रेस अध्यक्ष की पत्नी सुचेता कृपलानी कराची में सिंधी महिलाओं को बता रही थी कि ‘आपके मैकअप के कारण, लो कट ब्लाउज के कारण मुसलिम गुंडे आपको छेड़ते हैं। तब कराची में ही राष्ट्र सेविका समिति की मौसीजी हिंदू महिलाओं को संस्कारित रहकर बलशाली, सामर्थ्यशाली बनने का सूत्र बता रही थीं ! जहाँ कांग्रेस के हिंदू कार्यकर्ता, पंजाब, सिंध छोड़कर हिंदुस्थान भागने में लगे थे और मुसलिम कार्यकर्ता मुसलिम लीग के साथ मिल गए थे, वहीं संघ के स्वयंसेवक डटकर, जान की बाजी लगाकर, हिंदू सिखों की रक्षा कर रहे थे। उन्हें सुरक्षित हिंदुस्थान में पहुँचाने का प्रयास कर रहे थे। फर्क था, बहुत फर्क था-कार्यशैली में, सोच में, विचारों में सभी में। स्वतंत्रता प्राप्ति 15 अगस्त, 1947 से पहले के पंद्रह दिनों के घटनाक्रम और अनजाने तथ्यों से परिचित करानेवाली पठनीय पुस्तक।

यह विडंबना ही है कि स्वतंत्रता पाने के बाद जिन तथ्यों को लेखनीबद्ध करके देश की भावी पीढि़यों के लिए सहेजा जाना चाहिए था, वह कार्य आज भी अधूरा है। भारत की शिक्षा-व्यवस्था, भारत की स्वास्थ्य सेवाएँ और भारत के उद्योग, इन सबका हृस अंग्रेजी शासन में कैसे होता गया, इस पर विस्तार से कभी नहीं लिखा गया। अंग्रेजों की क्रूरता, बर्बरता, निर्ममता और भारतीयों पर किए हुए उनके अन्याय व अत्याचार के साथ ही अंग्रेजों द्वारा भारत की लूट का तथ्यपूर्ण विवरण इस पुस्तक में संकलित हैं। साथ ही अंग्रेजों के आने के पहले भारत की स्थिति क्या थी, अंग्रेजों ने कैसे भारत की जमी-जमाई व्यवस्थाओं को छिन्न-भिन्न किया और उनके जाने के बाद भारत की स्थिति क्या रही इस पर विस्तार से प्रकाश डालनेवाली यह पुस्तक अपनी सहज-सरल प्रस्तुति तथा प्रवाहपूर्ण भाषा-शैली के चलते नई पीढ़ी को अपनी ओर अवश्य आकर्षित करेगी।

दविंची कोड और एंजल्स एंड डेमन्स जैसे विश्वप्रसिद्ध उपन्यास लिखनेवाले डेन ब्राउन का एक उपन्यास है—द लॉस्ट सिंबल। इसमें उपन्यास का नायक अपने विद्वान् और वयोवृद्ध प्राध्यापक से प्रश्न पूछता है—मानव जाति ज्ञान हासिल करने के पीछे लगी है। यह ज्ञान प्राप्त करने का आवेग प्रचंड है। यह प्रवास हमें कहाँ लेकर जाएगा? अगले पचास-सौ वर्षों में हम कहाँ होंगे? और कौन सा ज्ञान हम प्राप्त करेंगे? वे प्राध्यापक, उपन्यास के नायक को उत्तर देते हैं—यह ज्ञान का प्रवास, जो आगे जाता दिख रहा है, वह वास्तव में आगे नहीं जा रहा है। यह तो अपने पूर्वजों द्वारा खोजे हुए समृद्ध ज्ञान को ढूँढ़ने का प्रयास है। अपने पास प्राचीन ज्ञान का इतना जबरदस्त भंडार है कि आगे जाते हुए हमें वही ज्ञान प्राप्त होनेवाला है। वे प्राध्यापक इस संदर्भ में भारतीय ज्ञान परंपरा का उल्लेख करते हैं। और फिर पीछे मुड़कर जब हम देखते हैं, तो ज्ञान की जो बची-खुची शलाकाएँ दिखती हैं, उन्हें देखकर मन अचंभित सा हो जाता है। इतना समृद्ध ज्ञान हमारे पूर्वजों के पास था...! उसी अद्भुत और रहस्यमयी ज्ञान के कपाट खोलने का छोटा सा प्रयास है यह पुस्तक ‘भारतीय ज्ञान का खजाना’।

Tejo Tungabhadra narrates the story of two rivers on different continents whose souls are interconnected through history. On the banks of the river Tejo in Lisbon, Bella, a young Jewish refugee, and her family face daily threats to their lives and dignity from a deeply antisemitic society. Gabriel, her lover, sails to India with General Albuquerque's fleet, seeking wealth and a secure future. Meanwhile, on the banks of the Tungabhadra in the Vijayanagara Empire, the young couple Hampamma and Keshava find themselves caught in a storm of religious violence and the harsh cycle of tradition. The two stories come together in Goa with the power and energy of meeting rivers. Set in the late 15th and early 16th centuries, Tejo Tungabhadra is a grand saga of love, ambition, greed, and a lively passion for life amid the turbulent waves of history.

It is 1974. Indu has inherited a flat from her grandmother and wants to turn it into a library for women. Her parents think this will keep her suitably occupied until she marries her fiancé, Rajat, who's away studying in London. But then she meets Rana, a young lawyer with sparkling wit and a heart of gold. He helps set up the library, and their days light up with playful banter and the many Rajesh Khanna movies they watch together. When the Emergency is declared, Indu's life turns upside down. Rana finds himself in trouble, while Rajat decides it's time to visit India and settle down. As the Emergency pervades their lives, Indu must decide not only who but what kind of life she will choose.

History rarely highlights the formidable Mughal begums who boldly navigated imperial courts, brokered powerful deals, reshaped Delhi's skyline, created private spaces for women, fought battles, and resisted patriarchy - all from behind the purdah. In Badass Begums, Anoushka Jain introduces you to ten Mughal-era women whose lives were filled with ambition, romance, intrigue, and fierce resilience. Jahanara Begum, Shah Jahan's favorite daughter who designed Chandni Chowk; her sister, the fiery Roshanara Begum, who schemed with Aurangzeb to take over her father's empire; the indomitable Begum Samru, a tawaif-turned-ruler who led her own army into battles; Maham Anga and Mubarak Begum, whose counsel rivaled that of chief ministers; and the steadfast Qudsia Begum, who built riverfront gardens only to see them battered by rebellions - these stories come alive through a captivating narrative and walking tour maps of the places they inhabited or curated. Based on meticulous research and written with warmth, Badass Begums offers an eye-opening journey through the breathtaking legacies still hidden in Delhi’s by-lanes.

Draupadi, originally written in Telugu, was first serialised in Andhra Jyoti before it came out in book form. The novel presented in a unique style, is not just an account of the different incidents occur around Draupadi but these incidents have been fused together into a fascinating story. The narrative process and the structural method of description used by Lakshmi Prasad fully engage the reader.

Baali and Sugreeva, orphan brothers from the Vana Nara tribe, were born into severe poverty and grew up as slaves like most of their fellow tribesmen. They were often called the vanaras, meaning monkey men. Caught between the ongoing war between the Deva tribes in the north and the Asura tribes in the south, the Vana Naras seemed to have lost all hope. However, Baali was determined not to remain a slave. With the help of his beloved brother Sugreeva, he built a nation for their people. The capital, Kishkindha, became a symbol of hope for freed slaves worldwide—a city of the people, by the people, for the people, where caste, creed, language, or skin color didn't matter. For a brief moment in history, it appeared mankind had found its ideal hero in Baali. But fate changed everything through Tara, daughter of a tribal healer. Loved by Baali and desired by Sugreeva, Tara sparked a brotherly war that would forever alter history. The love triangle involving Baali, Tara, and Sugreeva is arguably the first of its kind. Written by Anand Neelakantan, who also gave voice to Ravana in Asura, Duryodhana in the Ajaya series, and Sivagami in Baahubali, Vanara is a timeless story of love, lust, and betrayal. It’s Shakespearean in its tragic depth and epic in scope, giving voice to Baali, the greatest warrior in the Ramayana.

In medieval India, Siddhartha is a young Buddhist monk studying at Nalanda, one of the world’s most renowned and ancient universities. The university’s senior teachers thrust him into the heart of history, ordering him to assist in the royal investigation of a suspicious death on campus. Mahipala, king of Magadha, suspects the death was murder. The royal officer leading the investigation is none other than Siddhartha’s brother, Aditya Raj, forcing the two brothers into an uneasy alliance. Between them lie the unforeseen forces that wiped Nalanda from India’s historical map. As the university’s fate is sealed, strange deaths occur in quick succession. Plagued by misery and doubt, Siddhartha unwittingly uncovers a secret that makes him question his faith, his rationality and, ultimately, his own existence. In the end, Nalanda is razed to the ground. This is fact. But the narrative reaches a climax through many other elements of alternative history and speculative spirituality. It reveals shocking esoteric practices involving the divine feminine—practices never disclosed to the masses, for reasons unknown. Venturing into historically uncharted territory and, in many ways, picking up where Dan Brown left off, Nalanda exposes a reality that is devastating, mind-altering and yet somehow liberating.

Akbar the Great (1543-1605), the greatest of the Mughal emperors of India, was not only the most powerful and wealthiest monarch of his time, but undoubtedly, also the most enlightened one. A firm proponent of universal tolerance and religious freedom for all, he welcomed to his court, representatives of all religions known to him: Muslims, Hindus, Jains, Parsis, Jews, and even Jesuit priests from the Portuguese settlements in Goa. At a time when Europe found itself plagued by bloody religious wars, he succeeded in unifying the various creeds of Hindustan under his victorious banners, and created the strong Mughal Empire that still amazes us with the splendour of its art and architecture. Akbar's Farewell offers ample food for thought on fundamental issues that preoccupy the world: love and duty; power and justice; and fundamentalism against diversity and tolerance. Admirably researched and written in a magnificently evocative, compelling prose, it narrates the true story of Akbar's life and times, his swift and spectacular rise to absolute power, often against overwhelming odds, and his remarkably modern vision of a prosperous, diverse and tolerant Hindustan, against the backdrop of his eventful personal life, his relationship with his favourite wife, and tragic conflict with Salim (Jahangir), his only surviving son and bitter rival. Much more than a brilliantly written, moving historical novel, this book offers a unique historical perspective on the heart and soul of the Indian subcontinent.

A haunting Bengali novel of Partition, exile & grief—Aditi rebuilds life in Kolkata while the ghost of her lost homeland and sister refuse to be forgotten.

In the vibrant, tumultuous Kolkata of the 1970s, four girls in their late-teens—Bulan, Renu, Suman, and Chuni–navigate a city brimming with tradition and transformation, in Kabita Singha’s first full-length novel. As the world around them shifts, they grapple with the complexities of womanhood, sexuality, friendship, and the relentless pursuit of their own voices amidst the societal expectations and burgeoning independence of a new era. They dream with each other, fight for each other, and discover what it truly means to survive and thrive in a city that demands as much as it gives.

In Shashi Tharoor's satirical masterpiece, the story of the Mahabharata is retold as recent Indian history, and renowned political personalities begin to resemble characters from the Mahabharata-all of whom have a curious and ambiguous relationship with Draupadi Mokrasi (D. Mokrasi for short) . . . Brimming with incisive wit and as enjoyable a read as it is cerebrally stimulating, The Great Indian Novel brilliantly retells reality as myth.

First complete translation of the 1991 critical edition by Anjuman Taraqqi Urdu (Hind). Set at an inflection point in the history of Delhi, the mushaira Mirza Farhatullah Baig so lovingly paints is more than a gathering of poets. It is a snapshot of a world on the verge of being pushed into oblivion, a world Mirza saheb wants to preserve for future readers. Master poets like Mirza Ghalib and Momin Khan are seen in their prime at close quarters, and Daagh too, as a young poet on the threshold of fame. The Mughal emperor makes a brief appearance, but still leaves an indelible impression. As Rasheed Hasan Khan says, ...a mushaira... mirrored the tehzeeb of the time-the etiquette and protocol of the mehfil, the manner in which it was organized, everything it encompassed.

Mehru Jaffer's captivating account of Lucknow’s romance with its classical Urdu poets magically transports us to the mehfils of Mir and Anis. From the Love Lanes of Lucknow celebrates the poetry of the Avadh region of India like never before, transporting its readers to a land that became the focal point of an unparalleled cultural renaissance.

It begins to dawn on nine-year-old Sambhaji that his father has fled from Mughal emperor Aurangzeb and left him behind. He now has to find his way home with the help of strangers... Under the shadow of a renowned father, Sambhaji is thrown into the Maratha-Mughal conflict from a young age. His mistakes cost him dearly, and when his father suddenly dies and he becomes the chhatrapati, it's like inheriting a crown of thorns. Over the next nine years, he fights a constant battle-internally, as palace intrigues threaten his life, and externally, as Aurangzeb advances into the Deccan with his army. Even Shivaji had never faced such outright Mughal aggression. Can he protect the Maratha nation and Swaraj, his father's dream? Will he prove himself a worthy son in life and death? Though history has often been unkind to Sambhaji, it cannot deny that he inspired a generation of Maratha warriors who ultimately ended Aurangzeb's jihad.

In late eighteenth century India, an obscure king who ruled over Huseypur in northwest Bihar, challenged the might of the British. When overpowered by the East India Company forces, he escaped into the jungles of Gorakhpur, raised a people’s army and fought a guerilla war against them for nearly thirty years. Beaten many times, he always bounced back and did not surrender ever. He was Maharaja Fateh Bahadur Sahi. A warrior, patriot and innovator, Sahi visualised the dangers of impending imperialism and rose to meet the challenge. He devised new war logistics and resorted to guerilla warfare, including ascetics, destitute and bandits in his unique army. This happened years before the Indian Revolt of 1857 and the revolutions in America and France. Mainstream history is yet to look at him, but in the middle-Ganga valley, Sahi is remembered as a folk hero and a people’s king. This work is an effort to unravel Sahi’s unusual life. How did he operate and survive for so long? Could he be considered the progenitor of India’s first war of independence? The Raja, the Rebel and the Monk attempts to answer.

Massacre at Midnight is a fascinating tale of medieval intrigue and revenge in the best traditions of ‘magic realism’ with a touch of the divine. Set in the Mughal era, the story opens with the covetous Nawaab of Waariaul locking horns with the principled estate owner of Singhwaar over the possession of LaaDlii and Pyaare, a famed pair of hunting dogs. The Nawaab enlists the support of the Mughal army under false pretences, portraying Singhwaar’s Thaakur as a seditious renegade. The family is massacred to the last man, and Singhwaar is laid waste. The widow gives birth to a male heir in a fugue, abandoning the infant in the wilderness. The child is miraculously saved by the benevolent goddess Vana-Durgaa and becomes her favourite. When he comes of age, Destiny takes him to the imperial court at Delhi for a showdown with his father’s murderer, witnessed by the Great Mughal himself. Mainly based on folklore, ‘Massacre at Midnight’ is replete with enchanting old-world belief in miracles, spirits protecting family fortunes and poetic justice for the unjust, as well as glimpses of life in medieval Mithilaa.

A collection of short-stories set in the 20th Century India for the 21st Century kids & a nostalgic walk, for their parents & grandparents. Although this book has been named after the city of Chandausi, it contains stories from various places like Rishikesh, Agra, Champaran, Tilhar, Sambhal, Kanpur, Banaras, Lucknow and many others. These are the short stories of a bygone era-a period when India had either not gained independence or had been independent for not more than 35 years. These are the tales of journeys-taken up from the early 20th century to the end of a millennium, from Shahjahanpur to Delhi, from Bijnor to Hyderabad, from Hathras to Sweden & Norway, from Lakshmi Talkies, Allahabad to Night Watchman, Bangalore, from Panki to USA, from Dehradun to Canada, from Chandausi to Australia and many others. We are sure in all these stories, you will be able to find at least one character, which reminds you of your own self-of what you are, were or always wanted to be. Let us know the character with whom you have been able to relate to the most. Happy reading. “Genius is one percent inspiration and 99 percent perspiration,”-Thomas A. Edison. -Here’s a collection of short stories to inspire the readers.

This book is based on a critical feminist reading of selected Delhi High Court judgements pronounced in the 1990s. It focuses on the phenomenon of female criminality and the pervasiveness of the disciplinary powers of law in our lives. Through an overview of existing studies on female crime in India and the interaction with the working) of the law and the legal system, This engagement pushes our understanding of law from an instrument of control and mode of social transformation to mere rhetoric. Not to argue for the futility of engaging with the law but emphasising the need to look at it closely and critically.