The protagonist of and the Jhelum flows. Is Kashmir itself. The novel looks at the lost paradise with empathy and concern, Shunning easy cliches. It goes beyond the binary divisions of black and white in which the Kashmir issue is usually depicted and instead shows the various shades of grey in between. It is the story of innocent Kashmir's: the mother who searches for her missing son, the father who dies for his daughter, the young bride murdered on the eve of her wedding, the student tortured and driven to suicide, the obsession with revenge, the betrayal of trust, the loss of innocence. And the Jhelum flows. Weaves together several narratives to create a moving portrait of a land marked by hatred, fear, violence, and suspicion, where despite all the pain and sorrow, there is yet optimism for a better tomorrow. The picture that the novel paints is a reflection of the reality in other parts of the country where peace is under siege and hope is the last resort.

टूटी फूटी इक ख्वाइश है मेरी। इक हल्की सी गुज़ारिश है मेरी । बेइंतेहा चाहतों में लिपटी, इक सहमी सी सिफ़ारिश है मेरी ... रमेन्द्र कुमार (रमेन) राष्ट्रीय पुरस्कार से सम्मानित लेखक हैं। इन्होंने लेखन की प्रायः हर विधा जैसे फ़िक्शन, व्यंग, यात्रा संस्मरण एवं कविताओं के लेखन का कार्य किया है। इन्होंने अब तक कुल 28 पुस्तकें लिखी हैं जिनका अनुवाद कई भारतीय और विदेशी भाषाओं मे किया जा चुका है। इनकी रचनाएँ अंतर्राष्ट्रीय और राष्ट्रीय स्तर पर ख्याति प्राप्त कर चुकी हैं एवं संग्रहीत हैं। 2014 में प्रकाशित इनके उपन्यास 'मोहिनी' का प्रथम संस्करण मात्र एक हफ्ते में ही पूर्ण रूप से बिक गया। इनकी प्रथम नॉन-फ़िक्शन रचना 'इफेक्टिव पेरेंटिंग' भी काफी सराही जा रही है। रमेन अंतर्राष्ट्रीय स्तर के कथा वाचक और प्रेरणात्मक वक्ता हैं जो श्रोताओं के बीच अपनी अमिट छाप छोड़ने की क्षमता रखते हैं। इन्होंने 'जगन्नाथ संस्कृति' पर देश-विदेश में अपना शोध पत्र प्रस्तुत किया है। 'इंतेहा' इनके गीत एवं ग़ज़ल का प्रथम संग्रह है।

This story is about a Giraffe and a Squirrel who enjoy spending time together. Although they differ in appearance and in what they can do, they remain good friends.

Our Teacher tells a heartwarming tale about the timeless value of education as it brings to life the students and teachers from a small school in Tamil Nadu. This translation captures the nuances of the original award-winning classic in modern Tamil literature. This story was honoured with the Katha Chudamani Award for Literary Achievement. ““Our Teacher is an important story of academic integrity and success; a vital lesson on the commitment of a teacher in educating the students, not just teaching them. This award-winning translation carries the fragrance, flavour and felicity of the original.” — Abebooks Honoured with the Katha Chudamani Award for Literary Achievement

This collection of twenty-two short stories, written mostly between 1930 and 1950 by various authors, offers a snapshot of contemporary Indian short fiction. Twenty stories are translations from fourteen Indian languages, and two are original works in English. This demonstrates, if proof were needed, that Indian literature, despite being written in many languages, is unified - not by sameness, but by its rich diversity.

This collection of twenty-one short stories, written by different authors, represents a cross-section of contemporary Indian short fiction. Twenty short stories are translations from twenty languages of Indian creative writing in English and edited by Shantinath K. Desai. This is the fourth volume of Sahitya Akademi's series of such representative anthologies in English of contemporary Indian short stories.

This collection of 43 stories from 21 languages highlights India's diverse and intricate life. They depict everything from the chaos and mass hysteria of partition to the suppressed anger and self-pity of people trapped in broken homes. These narratives explore both outer experiences and internal struggles within Indian society. The stories emphasise the sacred and the profane, as well as the voices of the elite and the marginalised, serving as mirrors for self-reflection. Together, these tales trace a transformative century during which India emerged as a unified nation. The vivid imagery from the tumultuous 20th century is both disturbing and enlightening.

This sheaf of fifteen short stories represents a cross-section of contemporary Indian Literature. Fourteen of them are translations. One each from fourteen modern languages of India and one is a specimen of Indian creative writing in English. Selected by the Sahitya Akademi's Advisory Boards of various languages, these stories provide fascinating glimpses into the panorama of Indian life, with its baffling variety, its rich contrast of the simple and sophisticated, the ancient and the modern. Here is evidence, if such were needed, that Indian literature is one of a stale uniformity but of a rich variety. This is the first volume of Sahitya Akademi's series of such representative anthologies in English of contemporary indian short stories. Second, third and fourth volume of stories written by different authors have also been published. Prof.Humayun Kabir has farwarded this volume.

‘An acute observation, a happening around life that interests you, can make an interesting story. You may blow up a simple incident with your language skill and contrive a story.’ ‘The unwritten novels and stories float in a world of mind. An author happens to pass through them. One of these may fit into the groove of his mind, like a key in the lock. Upon engagement with the corresponding hiatus, the book empties its contents into it.’ ‘Sometimes, a power possesses you. It speaks through you. Some beings take possession of a capable mind, and make him write their own story.’ ‘There is a mart of wizards. It has a story lane in it. The shopkeepers sit with small beautiful velvety bundles—black, silver, cherry red, orange, blue, green, and golden—each contains either ariovel or a story, or even a poem. Generally, the passers-by in this charmed alley aie the story-tellers and poets.’ ‘Often a Santa Claus-like bei|j> passes on Ms sleigh drawn by his seven reindeers-,- He bestows gifts to the spectators wfi) stand along his trail. Authors may find tender saplings of novels and stories. They are to be watered and raised, ijrtd then shaped with industry to a handsome form.’ Anand Kumar

टके थे दस एक लोकप्रिय लोक गीत है जिसे पहली बार 1964 में प्रदीप भार्गव द्वारा ऑल इंडिया रेडियो पर गाया गया था। लोक गीत का चित्रण अतनु रॉय द्वारा किया गया है। age group 0-6 years

Our Teacher is an important story of academic integrity and success; a vital lesson on the commitment of a teacher in educating the students, not just teaching them. Carrying the fragrance, the flavour and the felicity of the original, this award-winning translation brings to the readers the foremost voice of modern Tamil literature and the winner of Katha Chudamani Award for Literary Achievement, Su.raa.

नंदिता की कहानी भारत के सबसे प्रसिद्ध फोटोग्राफर, होमाई व्यारवाला के जीवन का जश्न मनाती है। होमाई का साहस और शिल्प कौशल पुस्तक में खूबसूरती से सामने आता है। प्रिया कुरियन के चित्रण होमाई की कार्यशैली को इतनी सटीकता से बनाए रखते हैं कि कभी-कभी ऐसा लगता है मानो होमाई ने ही पुस्तक का चित्रण किया हो। शिल्प और जीवन के बीच निरंतर बदलाव पाठकों को रंगमंच की जीवंतता की याद दिलाता है। किताब हिंदी और अंग्रेजी दोनों भाषाओं में उपलब्ध है।

What does it take for a person to alter the course of a nation? Spotlighting 25 such change-making individuals, the book looks at the times in which they lived, the challenges they dealt with, and the paths they forged. Quick introductions position personalities as game changers, chatty stories sketch their profiles, crisp timelines fill in the gaps, insightful quotations balance perspectives, and creative collages present visual montages. What emerges is the powerful journey of a country at the threshold of change, committed to charting its own course, helmed by its richest resource – its people. Age 10+

Small noses catch small colds. Big noses catch big colds. Gajapati Kulapati the elephant has a big nose and catches a great, big, mighty cold! And what happens when he sneezes – Aaaaachoooo….? With repetitive sounds and words that roll rhythmically through the pages, this bestselling series about the adorable elephant puts the zing back into storytelling and reading aloud. Bright, zestful pictures and dynamic visual text echo the lilt, making these big, happy books of fun.

Muthu’s constant companion is a rooster called Goondi. But her grandfather tells her not to get too attached to Goondi, since he belongs to Selvi Paati. And the village head wants to buy him for his son’s wedding feast… Muthu can’t bear the thought! So, she makes her move and Thatha makes his, in this tender story about what a dear friend is worth. Pictures add richness and depth to this layered narrative set in an Irula fishing village in Tamil Nadu. Their varying tones and textures capture the setting, the people and the moments.

“Let’s play house-house!” decide Sunehri and her friends. So they put together some old plates and bowls, empty packets of chips, plastic bottles, a broken helmet… things they’ve collected going about their work in the city on whose streets they live. The game loved by children everywhere takes on a poignant layer when played by those who have never known a home¬. Pictures full of exuberance and detail bring out their spontaneous joy in a make-believe world, which trips side by side with the harsh reality of their lives.

When Fakruddin worries, he gets frantic. And Frantic Fakru is now worried because his fridge is spoilt, the day is hot, and he is desperate for cold water. What does he do? A light-hearted story with a smart idea and cheerful watercolour illustrations which bring alive the ambience of Fakru's neighbourhood in Bhopal.

When M.F. Husain loses his shoes, Jai offers to help find them. The two zoom in and out of his paintings, passing milestones in the artist's life

Details awaited

It is raining and there is not much one can do outdoors. Come and listen to Aajis story about the Kolis, the original inhabitants of Bombay, their favourite fish Bombay Duck and the citys magnificent docks.Written by Fleur D’Souza and Illustrated by Kripa.