This collection of twenty-two short stories, written mostly between 1930 and 1950 by various authors, offers a snapshot of contemporary Indian short fiction. Twenty stories are translations from fourteen Indian languages, and two are original works in English. This demonstrates, if proof were needed, that Indian literature, despite being written in many languages, is unified - not by sameness, but by its rich diversity.

This collection of twenty-one short stories, written by different authors, represents a cross-section of contemporary Indian short fiction. Twenty short stories are translations from twenty languages of Indian creative writing in English and edited by Shantinath K. Desai. This is the fourth volume of Sahitya Akademi's series of such representative anthologies in English of contemporary Indian short stories.

This collection of 43 stories from 21 languages highlights India's diverse and intricate life. They depict everything from the chaos and mass hysteria of partition to the suppressed anger and self-pity of people trapped in broken homes. These narratives explore both outer experiences and internal struggles within Indian society. The stories emphasise the sacred and the profane, as well as the voices of the elite and the marginalised, serving as mirrors for self-reflection. Together, these tales trace a transformative century during which India emerged as a unified nation. The vivid imagery from the tumultuous 20th century is both disturbing and enlightening.

This sheaf of fifteen short stories represents a cross-section of contemporary Indian Literature. Fourteen of them are translations. One each from fourteen modern languages of India and one is a specimen of Indian creative writing in English. Selected by the Sahitya Akademi's Advisory Boards of various languages, these stories provide fascinating glimpses into the panorama of Indian life, with its baffling variety, its rich contrast of the simple and sophisticated, the ancient and the modern. Here is evidence, if such were needed, that Indian literature is one of a stale uniformity but of a rich variety. This is the first volume of Sahitya Akademi's series of such representative anthologies in English of contemporary indian short stories. Second, third and fourth volume of stories written by different authors have also been published. Prof.Humayun Kabir has farwarded this volume.

‘An acute observation, a happening around life that interests you, can make an interesting story. You may blow up a simple incident with your language skill and contrive a story.’ ‘The unwritten novels and stories float in a world of mind. An author happens to pass through them. One of these may fit into the groove of his mind, like a key in the lock. Upon engagement with the corresponding hiatus, the book empties its contents into it.’ ‘Sometimes, a power possesses you. It speaks through you. Some beings take possession of a capable mind, and make him write their own story.’ ‘There is a mart of wizards. It has a story lane in it. The shopkeepers sit with small beautiful velvety bundles—black, silver, cherry red, orange, blue, green, and golden—each contains either ariovel or a story, or even a poem. Generally, the passers-by in this charmed alley aie the story-tellers and poets.’ ‘Often a Santa Claus-like bei|j> passes on Ms sleigh drawn by his seven reindeers-,- He bestows gifts to the spectators wfi) stand along his trail. Authors may find tender saplings of novels and stories. They are to be watered and raised, ijrtd then shaped with industry to a handsome form.’ Anand Kumar

Ammachi can’t find her glasses one morning and everything goes topsy-turvy! Page after page spills with drama, humour, detail and local flavour as Priya Kuriyan spins a hilarious tale about a crazy day with unforgettable Ammachi — “the archetypal grandmother from memories of my own childhood in Kerala,” as Priya says. The celebrated illustrator is at her best in her first wordless picture book.

It is raining and there is not much one can do outdoors. Come and listen to Aajis story about the Kolis, the original inhabitants of Bombay, their favourite fish Bombay Duck and the citys magnificent docks.Written by Fleur D’Souza and Illustrated by Kripa.

Ismat the shoemaker decides to buy his family special gifts for Eid. He is persuaded by the shopkeeper to buy a pair of trousers for himself. However, there is only one last pair and it's too long. But long trousers can always be shortened, can't they? Eid arrives, and with it comes a shock and a surprise. This crisp adaptation of a delightful Turkish tale has been affectionately told and illustrated, replete with cultural resonances.

Introducing Mayil Ganeshan, a lively 12-year-old who finally has the opportunity to express herself fully in her diary. This is a significant step towards achieving her goal of becoming a writer, as she hopes to make up for all the unfinished stories and the aimless novel she had written before. In her diary, Mayil shares a spontaneous, sensitive, honest, intimate, and often humorous account of her life and thoughts as a perceptive young girl going through the ups and downs of adolescence. This coming-of-age book is a must-read, with enough humor, heart, and wisdom to entertain and inspire readers of all ages. Age 10+

Ayeshaís favourite day is Sunday, for itís her Abbaís day. Come, letís find out what happens at Ayeshaís home every Sunday and what makes it so special!

A collection of short stories written by students at DPS

When Fakruddin worries, he gets frantic. And Frantic Fakru is now worried because his fridge is spoilt, the day is hot, and he is desperate for cold water. What does he do? A light-hearted story with a smart idea and cheerful watercolour illustrations which bring alive the ambience of Fakru's neighbourhood in Bhopal.

नंदिता की कहानी भारत के सबसे प्रसिद्ध फोटोग्राफर, होमाई व्यारवाला के जीवन का जश्न मनाती है। होमाई का साहस और शिल्प कौशल पुस्तक में खूबसूरती से सामने आता है। प्रिया कुरियन के चित्रण होमाई की कार्यशैली को इतनी सटीकता से बनाए रखते हैं कि कभी-कभी ऐसा लगता है मानो होमाई ने ही पुस्तक का चित्रण किया हो। शिल्प और जीवन के बीच निरंतर बदलाव पाठकों को रंगमंच की जीवंतता की याद दिलाता है। किताब हिंदी और अंग्रेजी दोनों भाषाओं में उपलब्ध है।

Muthu’s constant companion is a rooster called Goondi. But her grandfather tells her not to get too attached to Goondi, since he belongs to Selvi Paati. And the village head wants to buy him for his son’s wedding feast… Muthu can’t bear the thought! So, she makes her move and Thatha makes his, in this tender story about what a dear friend is worth. Pictures add richness and depth to this layered narrative set in an Irula fishing village in Tamil Nadu. Their varying tones and textures capture the setting, the people and the moments.

A magically beautiful story about Malar and her grandfather. A laptime, bedtime, anytime story for you to share. Enjoy! A beginnerís book for children learning to read.

Details awaited

When M.F. Husain loses his shoes, Jai offers to help find them. The two zoom in and out of his paintings, passing milestones in the artist's life

Small noses catch small colds. Big noses catch big colds. Gajapati Kulapati the elephant has a big nose and catches a great, big, mighty cold! And what happens when he sneezes – Aaaaachoooo….? With repetitive sounds and words that roll rhythmically through the pages, this bestselling series about the adorable elephant puts the zing back into storytelling and reading aloud. Bright, zestful pictures and dynamic visual text echo the lilt, making these big, happy books of fun.

Bumoni’s big backyard, just outside the Kaziranga National Park, is bursting with banana trees. Then one night a herd of wild elephants crosses the river, discovers the trees, and gorges on them. Bumoni’s family is very upset – how do they keep the elephants away? Bumoni has an idea! But then, what will the elephants eat now? Spare but dramatic pictures create mood and atmosphere in this affectionately told story, set in Assam, of a family’s sustainable relationship with the environment – and elephants!

Secret Wild Vet Kalyani is a book inspired by N Kalyani, Tamil Nadu’s first woman veterinarian who graduated from Madras Veterinary College in 1952, challenging gender norms within the profession. Through a cheerful poem set in the Nilgiri hills, the author and Katha’s Founder President Geeta Dharmarajan imagines her Irular protagonist as a kind of superwoman who helps rescue animals, birds and reptiles in danger. Filled with everything from guns to ropes and jungle antics, this adventure story truly comes alive with the help of lively illustrations by designer Boski Jain. According to the book, the DNA analysis (2018) of a skeleton from the Indus Valley Civilisation found in Rakhigarhi showed greater affinity with the Irula people than any other ethnic group in India. “A study by Yelmen et al (2019) found that the Irula were the closest likely proxy for the indigenous “AASI”, or Ancient Ancestral South Indian, one of the presumed founders and autochthonous original populations,” informs the book.